The Buffalo Hunter Hunter
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4.0 • 1件の評価
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- ¥1,900
発行者による作品情報
Selected as One of The New York Times’s 100 Notable Books of the Year
A Barack Obama Summer Read
Libby Award for Best Horror
Nebula, Bram Stoker, and Los Angeles Times Book Prize Award Finalist
A Time, The Washington Post, NPR, Shelf Awareness, Toronto Star, and Publishers Weekly Best of the Year
Kirkus Reviews Best Historical Fiction
The New York Times bestseller and “horror masterpiece” (NPR) from Stephen Graham Jones—the master of modern horror—is a chilling historical horror novel tracing the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice.
“Jones has written his Interview with the Indigenous Vampire. A landmark of horror and historical fiction alike, perhaps the closest thing we have to horror’s Moby-Dick.” —Vulture
“Inventive and spine-tingling…a master class in voice. Queasy, uneasy, The Buffalo Hunter Hunter plays with the interplay between religion and historical guilt, identity and appetite.” —The Washington Post
A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.
PUBLISHERS WEEKLY
Bestseller Jones (I Was a Teenage Slasher) astonishes in this ingenious, weird western reimagining of the vampire tale. In a frame narrative set in 2012, academic Etsy Beaucarne learns of the discovery of a 1912 manuscript hidden in the wall of a Montana parsonage, written by her great-great-great-grandfather Arthur. Within lies Arthur's transcription of the personal history told to him during confession by Good Stab, a Blackfeet warrior. Decades earlier, Good Stab was bitten by a being he refers to as "the Cat Man," a caged, feral creature transported by an ill-fated expedition of white settlers. That bite endows Good Stab with supernatural powers of healing and regeneration, but also a voracious thirst for blood, which he slakes by preying on the white hunters ravaging the frontier through their profligate slaughter of buffalo herds. Good Stab's horrifying ordeal offers a dark window into the history of conflict between America's Indigenous inhabitants and its white colonizers, with Jones incorporating details of the real-life Marias Massacre of Blackfeet by the U.S. Army into the plot. Jones heightens the impact of the massacre's recounting through Good Stab's narrative voice, whose easy incorporation of lore and myth into his vernacular makes the supernatural seem believable. It's a remarkably well-wrought work of historical horror that will captivate Jones's fans and newcomers alike.
