The Buffalo Job
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- ¥1,600
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- ¥1,600
発行者による作品情報
"Fans of Donald E. Westlake's Parker novels (written under his Richard Stark pseudonym) will be on familiar ground. . . . A very good entry in a very good series" (Booklist).
Wilson should have just walked away when three men came looking for a way to boost a valuable piece of art. The art came off the wall, the alarm screamed thief, and Wilson walked away clean. But it turned out that job was an interview for an even bigger heist. A dangerous man wants Wilson to get him something more valuable than a painting. Problem is Wilson only has a week.
Wilson and his crew cross the Canadian border to Buffalo, New York, to steal a two-hundred-year-old violin. A lot of people are interested in getting their hands on the instrument—and none of them are shy about killing to get it.
The job starts like a bad joke—a thief, a con man, a wheel man, and a gangster get in line to cross the border—but the Buffalo job doesn't end with a punchline. It ends with blood . . .
PUBLISHERS WEEKLY
Mob-enforcer turned freelance fixer Wilson returns for his fifth brutal adventure. Bored as a mere planner, Wilson agrees to steal a painting from the Art Gallery of Ontario. Success is its own punishment; Wilson's ability to plan and carry out the theft on little notice convinces Albanian crime lord Pyrros Vogli that Wilson is the man to assign the task of stealing a 288-year old Stradivarius violin during a very narrow window of opportunity and nobody says no to Pyrros. Wilson and his team conman Miles, driver Carl and Pyrros' nephew Ilir head across the border where they discover that not only is there a second gang working to steal the violin, there are angles to the job of which even Pyrros has no inkling. Four men go to Buffalo; not all of them will be coming home. In a world where cunning and planning can run aground on the shoals of avarice and betrayal, Wilson is a survivor because he has shed any delusions of decency that might make him hesitate at a crucial moment. Merciless but honest about being monstrous, Wilson is worthy to stand next to Loren Estleman's Peter Macklin and Donald Westlake's Parker.
