The Copywriter
A Novel
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- 予約注文
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- リリース予定日：2026年2月3日
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- ¥1,800
発行者による作品情報
A portrait of the poet as an office worker, plumbing the depths of the spiritual gulf between art and work.
It’s the summer of 2017 and D__, a poet working by day as a copywriter at a retail start-up, can’t dispel a creeping sense of dissolution on the horizon. Whether it be the company’s new twenty-four-year-old CEO, who has more charisma than work experience, the growing distance between D__ and his longtime girlfriend, or a mounting sense of unreality in the wake of the first delirious year of the Trump administration, there’s a sense that things are speeding towards collapse—and that they’ve perhaps been unraveling for some time.
Borne along on these ambivalent straits, D__ begins to keep a notebook, filling it with everything: dreams, scenes from his own life, emails, and broadly-defined moments, both real and fictional, that he calls parables—attempts to learn from the underlying schedule of the universe, some music of the spheres that, if heard correctly, might help him finally understand his life, his art, and labor. Unfurling over the course of two years, season by season, The Copywriter circles a series of perennial questions, capturing in the process the unique absurdism of the gone-but-not-forgotten era of office culture between the Great Recession and the COVID-19 pandemic: How should an artist balance a job and life when art doesn’t fit into either category? How does one find meaning in work that is stubbornly, uncannily, comically meaningless? Does one need to find meaning in one’s labor at all? What concessions do we make for the sake of a paycheck? What does all of this do to our art, and our souls?
Utterly original and lyrically beautiful, burrowing deep into contemporary disaffection without falling under its spell, The Copywriter is a comic story in the vein of Kafka’s Jewish mysticism, following the absurd paths that office work can take us on, and the subtle ways in which seemingly mindless labor can determine our fate.
PUBLISHERS WEEKLY
A 30-something poet navigates the vagaries of freelance copywriting work in Poppick's reflective and often funny debut novel (after the poetry collection Fear of Description), which unfolds as a series of journal entries. The narrator, D__, has devoted his life to poetry. His partner, Lucy, with whom he lives in New York City, is also a poet, as are his friends Ruth and Will. Though he's invested in these relationships, something ineffable is missing from D__'s life. A "permalancer" for a failing consumer product company, he keeps a fire wall between his "stupid" copywriting and his poetry. Sometimes he tosses gigs to Will, who, hilariously, doesn't make the same distinction and turns in product descriptions that read like absurd prose poems ("The era of normal umbrellas is over. That's why this umbrella isn't normal: it's kind of cool. This is a cool umbrella"). After D__ is laid off, he and Lucy break up, and he finds he can't write poetry anymore. He drives Ruth across the country to where she's entering a PhD program, makes notes about the poems he longs to write, and reads Proust to try and understand the nature of time. D__ is a frank and companionable narrator, who endears himself to the reader with his devotion to the "parallel dimension" contained in poetry. This portrait of a modern-day Bartleby is a blast.
