The Dog
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- ¥1,000
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- ¥1,000
発行者による作品情報
Set in the shifting landscape of contemporary China, Jack Living's debut story collection, The Dog, explodes the country's cultural and social fault lines.
In this riveting, richly imagined collection of stories, a wealthy factory owner - once a rural peasant -refuses to help the victims of an earthquake until his daughter starts a relief effort of her own; a powerful Uyghur gangster clashes with his homosexual grandson; and a man struggles to undertake a physically impossible task - constructing a giant crystal sarcophagus for the dead leader.
With spare, penetrating prose, Livings gives shape to the anonymous faces in the crowd and illuminates the tensions, ironies, and possibilities of life in modern China. As heartbreaking as it is hopeful, The Dog marks the debut of a startling and wildly imaginative new voice in fiction.
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An incisive - and highly impressive - debut. Livings demonstrates his virtuosity as a storyteller, his ability to immerse us instantly in the lives of his characters, to conjure the daily reality of the very different worlds they inhabit. He's a sort of Chekhovian observer . . . The stories bristle with prickly details and barbed observations that make them stick in the reader's mind' New York Times
'A brilliant and promising debut. With its tales of volatile protagonists struggling to survive in contemporary China, The Dog should attract widespread attention and praise . . . Any unfamiliarity with the Chinese locales and culture is quickly eased by Livings's imaginative yet realistic scenarios and vividly drawn characters' Booklist
'Livings writes so simply, and so well . . . These stories are sneaky, almost subliminal, in their ambitions and connections' Kirkus Reviews (starred review)
'A socially complex and pitch-perfect account of modernization's grueling aftermath' Publishers Weekly
PUBLISHERS WEEKLY
Livings's debut collection of stories set in China builds on the works of fellow writers Yiyun Li and Ma Jian in illustrating the ways in which personal dynamics and workplace disharmony are refractions of a culture of corruption and control as well as China's wider revolutionary history. In the title story, an unhappy couple whose dog-racing side-business is subjected to a government crackdown resolves to eat the evidence. "Mountain of Swords, Sea of Fire," in which a weathered journalist despairs of the hack work and political cant he produces while living in denial of his own complicity in silencing democratic agitators, develops Livings's themes more subtly, as does "The Pocketbook," in which the universities' placating attitude toward scholars and foreign guests is laid bare after a rich American student has her purse stolen. Livings has a talent for showing how officially sanctioned credos underscore grim realities: "Donate!" deals with the personal stakes of charity, as a factory worker becomes enmeshed in a relief fund set up for earthquake victims, and "The Crystal Sarcophagus" recounts the lengths to which a glass factory must go after it is tasked with the construction of Chairman Mao's coffin. Though a few of Livings's stories verge uneasily on allegory, masterpieces like "The Heir," with its unflinching depiction of an aging Uighur gangster whose stranglehold on the community is threatened by government thugs, make this collection a socially complex and pitch-perfect account of modernization's grueling aftermath.
