The Ending Writes Itself
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- ¥1,600
発行者による作品情報
The most fun you’ll have with a murder mystery this summer!
The instant Sunday Times bestseller!
'My favourite book I've read this year' Reader review ★★★★★
'It’s great fun! A new spin on a classic mystery with plenty of humour' Reader review ★★★★★
'An absolute cracker of a book' Reader review ★★★★★
'This book had me squealing so much! I honestly could not put it down' Reader review ★★★★★
'I kept fighting the urge to speed through because I was having so much fun!' Reader review ★★★★★
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🩸Seventy-two hours. Six suspects. One story worth killing for … 🩸
Six writers have been summoned to the remote Scottish home of iconic author Arthur Fletch to compete for the chance of a lifetime. Their challenge? Write the perfect ending to Fletch’s final unfinished manuscript and claim a fortune in cash and the chance to resurrect their careers. But this is a house built on lies, and every guest has something to hide.
When one of the writers is found dead, the line between fiction and murder vanishes completely. As the clock ticks down and suspicion spreads, the remaining guests are forced into a deadly game of cat and mouse. Every corridor contains a secret. Every clue points in a different direction. And every writer knows exactly how to play the game.
Because they all have a motive.
They all know how a murder mystery works.
And this killer knows every trick in the book …
Perfect if you love:
Murder/locked-room mysteries🕵🏼🔒
Killer DEADlines ⏳💀
Amateur Sleuths 👀🕵️
Deadly Competitions 💀📚
Forced Proximity 🩸🏞️
Plot to Die For 💀🩸
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Praise for THE ENDING WRITES ITSELF:
‘In the running for the best mystery of 2026’ STEPHEN KING
‘A cracking read' VAL MCDERMID
‘Smart, original and completely addictive’ KARIN SLAUGHTER
‘There were so many things I loved about this intelligent crime novel’ RED MAGAZINE
‘Slick, sharp and wickedly fun’ LUCY CLARKE
About the author
It was a dark and stormy night (well, it was actually an unusually warm evening in Edinburgh, Scotland) when Number One Sunday Times bestselling author V.E. Schwab, known for The Invisible Life of Addie LaRue and Bury Our Bones in the Midnight Soil, proposed an absurd idea to longtime friend and screenwriter Cat Clarke: that they should write a book together. Victoria had made quite a name for herself, but had sworn she’d never co-write a novel.
While Cat, following a tumultuous career as an editor and the author of several YA novels, including Girlhood and Entangled, had fled the publishing industry to work in the even more tumultuous film industry, swearing she’d never return to books.
And yet, fate – and an irresistible idea – made liars of them both.
That night, Evelyn Clarke was born.
PUBLISHERS WEEKLY
A quirky cast of wordsmiths vies for a life-altering prize in this deviously plotted satire of the publishing industry from Clarke, a pseudonym for Cat Clarke (The Lost and the Found) and V.E. Schwab (The Invisible Life of Addie LaRue). Invited to the remote Scottish island of Skelbrae by bestselling thriller writer Arthur Fletch, a half-dozen commercially challenged authors—ranging from horror writer Kenzo Gray to bubbly YA novelist Millie Mitchell—assemble in his castle for one of his legendary salons. But after all the invitees sign NDAs, Fletch's agent drops a bombshell: Fletch is dead, and the group has actually been summoned to compete in a 72-hour competition to ghostwrite the final chapter of his blockbuster Petrarch series. The winner will receive $1 million and a three-book deal with a healthy marketing budget. Soon enough, the contest morphs from battle of wits to cutthroat competition darker and twistier than the secret passageways honeycombing Fletch's castle. In the home stretch, the narrative takes a turn so head-spinning it nearly undermines the careful plotting that came before, but fortunately Clarke has a few more surprises in store. The result is nothing short of dazzling.
