The Gladiator
The Secret History of Rome's Warrior Slaves
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- ¥1,600
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- ¥1,600
発行者による作品情報
Alan Baker weaves an extraordinary, vivid picture of Roman life as his compelling and evocative history tells the story of Rome's most notable gladiators. They were condemned and feared by emperors, slaughtered and adored by the masses and worshipped by their female fans, yet their lives were invariably violently short.
Whether their enemy was a starved tiger or a battle-hardened criminal, their numbered days were dark and bloody. Yet men gave up their wealth and freedom to become gladiators and noble-women gave up their positions to be with them. The Gladiator illuminates the extraordinary lives of Spartacus, Commodus, Eppia and others - bringing the same energy and passion to the page that Ridley Scott's cinematic triumph bough to the screen.
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In a lurid, sometimes sensational, tabloid-like account of Roman gladiatorial life, British author Baker (Invisible Eagle: The History of Nazi Occultism) offers an encyclopedic examination. While there were a few famous gladiators, such as Spartacus, the majority of these warriors were unnamed slaves, criminals or prisoners of war whose lives were nasty, brutish and short. Baker points out that there were different groups of gladiators, each with its own style of fighting. The Thracians, for example, used a round shield and sword, while the retiarii (net-men) used a net and trident spear. The games themselves were sponsored by the emperor, whose popularity was often secured by the magnitude of the contests he hosted. Using historical accounts of various games, Baker imaginatively re-creates a day at the Coliseum in Rome, which included a series of fights between criminals one armed, the other defenseless staged in a round robin manner until only one criminal was left standing; the victor was then killed unceremoniously by a Roman guard. The afternoon brought on the great battles between the "trained" gladiators, like the Thracians and the retiarii. The blood and dust from one combat had barely cleared before another began. Although they reflected the virtue of killing and facing death with the courage and dignity that dominated the Roman Empire, gladiatorial contests came to an end in the fifth century, when Christianity became the official state religion and when the empire itself was weakening. Baker builds upon an already established wealth of scholarship e.g., Michael Grant's Gladiators (2000) as he offers a lively, voyeuristic glimpse into the ancient world. Fans of the Ridley Scott movie won't be disappointed.
