The Goat Bridge
A Novel
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- ¥2,200
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- ¥2,200
発行者による作品情報
American photographer Stephen Brings has fled a troubled relationship in Chicago and the painful memory of a kidnapped and still-missing son, only to stumble into the Balkans at the outbreak of the civil wars.
As he drifts through the countryside, Stephen struggles to resolve the trauma and sorrow of losing his son, and soon the landscape begins to mirror his own inner battles. After a return trip to America fails to heal the rift between himself and the mother of his child, Stephen returns to Sarajevo, where he begins a project to document images of the Bosnian people—not war images, but personal portraits of an embattled nation. There he finds himself falling in love with a German journalist, who helps to heal his ailing body and to overcome his tragic loss.
The Goat Bridge is an unforgettable tale of memory and oblivion, a probing story of loss and redemption, of letting go and holding on, and of the universal human search for meaning. In the end, it is also a love story about finding the wisdom and courage to surrender to one’s own and another’s heart.
PUBLISHERS WEEKLY
McNally's taut, richly textured and assured third novel follows Stephen Brings, a burnt-out American photographer who is reeling from the unexplained disappearance of his son in Rome, and who finds an unlikely measure of understanding and acceptance in the wartorn Sarajevo of the early '90s. Brings, pointedly not "covering" the war in any conventional sense, drifts through the city, helping where he can, taking the occasional photograph and forming attachments with a vividly sketched group of locals, diplomats and journalists, including the German journalist Elise, with whom he begins a tentative affair. Living under the grim realities of siege, McNally's characters argue, flirt and philosophize endlessly, incrementally edging his protagonist from his emotional cocoon even as bullets strike and mortars explode. McNally's epigrammatic prose nicely mirrors disruptions to Brings's understandable bewilderment and self-absorption, balancing horror and fear with moments of beauty and humor. Touched with some of the aphoristic delicacy of Milan Kundera, and searching in the mode of Graham Greene, McNally's tale of redemption nonetheless has a sinewy elegance entirely its own.
