The Great Mistake
A novel
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- ¥710
発行者による作品情報
An exultant novel of New York City at the turn of the twentieth century, about one man's rise to fame and fortune, and his mysterious murder—“engrossing” (Wall Street Journal), “immersive” (The New Yorker), and “seriously entertaining” (The Sunday Times, London).
Andrew Haswell Green is dead, shot at the venerable age of eighty-three, when he thought life could hold no more surprises. The killing—on Park Avenue in broad daylight, on Friday the thirteenth—shook the city.
Born to a struggling farmer, Green was a self-made man without whom there would be no Central Park, no Metropolitan Museum of Art, no Museum of Natural History, no New York Public Library. But Green had a secret, a life locked within him that now, in the hour of his death, may finally break free.
A work of tremendous depth and piercing emotion, The Great Mistake is the story of a city transformed, a murder that made a private man infamous, and a portrait of a singular individual who found the world closed off to him—yet enlarged it.
PUBLISHERS WEEKLY
Lee (High Dive) dissects the life and murder of Andrew Haswell Green, one of New York City's preeminent city fathers and adversary of the corrupt Boss Tweed, in this ambitious outing. In November 1903, at the age of 83, Green—a onetime comptroller and architect of Central Park, the Museum of Natural History, and the Brooklyn Bridge—steps outside his Park Avenue home and is shot dead by a man in a bowler hat in broad daylight. To uncover the motive, Lee moves backward and forward in time. The detective assigned to the case probes the entanglements of wicked and wealthy bawd Bessie Davis and unstable gunman Cornelius Williams, who seems to have acted on private struggles. In chapters devoted to Green's past, the reader learns of his father's failing Massachusetts farm, his apprenticeship in Trinidad, and close friendship with New York governor and future presidential candidate Samuel Tilden, whose rise prefigures Green's own pursuit to become "an elegant man." Lee's two-tiered structure falters slightly under the weight of Green's copious resume, but he sustains a captivating strangeness in his depiction of the period, such as the practice of hunting stray dogs on city streets for a bounty. By and by, a dynamic all-American character emerges, making for an audacious historical.
