The King Is Dead
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- ¥1,100
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- ¥1,100
発行者による作品情報
Returning a hero from the battlefields of World War II, Walter Selby settles into a charmed domestic life in Memphis. But in a few brief moments, Walter sees his life and his world fracture and split apart, driving him to commit a terrible crime.
Many years later, Frank Cartwright ponders his next move. His film career has left him wealthy but incomplete. When a director approaches him with a script that has a riddle for a plot Frank is intrigued by its resonance. In his search for an answer to the riddle, Frank embarks on a journey that will lead him into a past he doesn’t remember.
Jim Lewis, acclaimed author of Why the Tree Loves the Ax, returns with a novel stunning in its originality and scope. And as he tells the stories of two men and the conflicts that shape them, he delivers a powerful portrait of America and the treacherous currents that run through it.
PUBLISHERS WEEKLY
Every act is fraught with significance in this intermittently powerful but overwrought novel, set between 1950s Tennessee and present-day New York. Like an American passion play, Lewis's story is one of sin and redemption, told in flowing, dramatic prose. Walter Selby is an aide to the governor of Tennessee; he works as hard at his behind-the-scenes politicking as he does in wooing his wife, the lovely Nicole. Their happy life together comes to an abrupt end on the day Walter resigns from his job after tragically botching a government eviction, then comes home to find his wife with another man. The terrible crime he commits separates him forever from his six-year-old son, Frank, and baby daughter, Gail. Years later, Frank, now a successful actor, is driven to investigate his parents' past after an encounter with an eccentric elderly director who tries to persuade him to take a role in a film, the plot of which stirs strange sentiments in him ("a young Prince... is newly appointed to the throne after the death of his father, and soon discovers evidence of a taint on the palace"). Frank's muddled journey takes him to Tennessee and then deep into his family's murky history. Lewis's luminous language serves him well in the early going; his descriptions of '50s-era Tennessee and of Walter and Nicole's passionate marriage are rich and convincingly detailed. But when the story turns to abstract musings, the top-heavy sentences slip into portentousness, and the choruses of "Frank, oh, Frank" and "Oh oh oh Frank" strike an almost comical note. Lewis (Sister; Why the Tree Loves the Ax) is a talented writer, but his overblown lyricism gets the better of this ambitious novel.
