The Lesser Dead
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- ¥1,200
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- ¥1,200
発行者による作品情報
WINNER OF THE AMERICAN LIBRARY ASSOCIATION’S BEST HORROR NOVEL OF THE YEAR
“As much F. Scott Fitzgerald as Dean Koontz” (#1 New York Times bestselling author Patricia Briggs), Christopher Buehlman excels in twisting the familiar into newfound dread in his “genre-bending” (California Literary Review) novels. Now the acclaimed author of Those Across the River delivers his most disquieting tale yet...
The secret is, vampires are real and I am one.
The secret is, I’m stealing from you what is most truly yours and I’m not sorry...
New York City in 1978 is a dirty, dangerous place to live. And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks.
The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy.
Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were.
And neither are the rest of us.
PUBLISHERS WEEKLY
Buehlman (The Necromancer's House) offers up a colony of fierce, brazenly unscrupulous vampires who reclaim the genre from angsty goths and return it to its fearsome and ferocious origins. Joey Peacock, the caustic, pragmatic, perennially horny 14-year-old at the heart of the story, drawls a recap of the 45 years since his parents' maid, Margaret, turned him into a vampire. Then he settles into the vibrantly depicted year of 1978, in which an astoundingly creepy cadre of children threaten his vampire colony in the subterranean warrens of New York City's subway system. The pretty little baby vamps are vicious and very hungry, so things take a spectacularly nasty turn before the adventures in undead babysitting begin to wear. The sharply witty tone and graphic style mine the darker facets of vampirism, while Joey's complex relationship with Margaret, and the poignant, prickly camaraderie he shares with Cvetko, an older vampire, add heft and humanity to Buehlman's distinctive, twisty entry into a crowded genre.
