The Lifeguard
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- ¥730
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- ¥730
発行者による作品情報
It was with her stories that Mary Morris first won attention and acclaim: her first collection, Vanishing Animals, received the prestigious Rome Prize, and her second, The Bus of Dreams, was widely hailed. In this new collection, Mary Morris once again shows her great sensitivity to men and women at moments of turbulence, uncertainty and crisis in their lives-and how they can reach for the unexpected and the spiritual at such times.
In the title story, a lifeguard sees his teenage mystique among the girls on the beach dissolve in a panicked moment when he cannot save a child. In "The Wall," a woman confronts her husband's first marriage, in the form of a mural on a kitchen wall that he is strangely unable to contemplate painting over. In "The Glass-Bottom Boat," a mother on her first trip abroad learns about trust through a solicitous stranger. In "The Snowmaker's Wife," a housewife left alone while her husband works long hours at a mountaintop ski resort starts to suspect his betrayal-as well as her own perceptions. In addition to these stories, which have appeared in The Boston Globe Magazine, Vogue, and other magazines, are two brand-new stories: "Vital Signs" tells of the consequences of a doctor bringing back to life a young woman, half-dead on the side of the road; and "Cross Word" is a wonderfully funny play on those puzzles and the people who do them.
Combining Mary Morris's consummate craft as a storyteller with her gift for dramatic travel writing, The Lifeguard is a powerful and haunting collection.
PUBLISHERS WEEKLY
After a 12-year hiatus, novelist and travel-writer Morris (Crossroads; The Waiting Room) returns to the form that earned the Rome Prize for her debut collection, Vanishing Animals. Although the 10 stories in the new volume are set in various locales, from a ski resort to the Caribbean, all focus on the quiet crises that can rock her mainly female protagonists' middle-class existences. In "Souvenirs," an adolescent girl is finally invited to accompany her parents on their annual trip to Florida. The unraveling of her illusions about her parents (and the way she acts out her disappointment) leads to a moving rite of passage. Marital stress, skillfully rendered, is the focus of several stories. In "The Wall," a second wife tries to erase the memory of her precursor by painting over the mural in their kitchen--a gift from her husband's first marriage--and discovers the void at the center of their relationship. In "The Snowmaker's Wife,'' a woman finds solace in an Indian myth after she realizes that her husband is having an affair. The sole male protagonist, in the title story, also experiences his vulnerability, in a potentially tragic situation. As elsewhere in Morris's fiction, occasional intrusions of the symbolic (and even supernatural) are made to seem natural and necessary. This is less true in "Losing Track," in which a visit to the site of dinosaur tracks by the parents of a runaway girl is freighted with more symbolic weight than it can bear. Such flaws do not undermine this poised and articulate collection, however.
