The Limehouse Golem
A Novel
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- ¥1,000
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- ¥1,000
発行者による作品情報
Now a major motion picture
A literary star returns with an addictive tale of murder in Victorian London. Peter Ackroyd is "our most exciting and original writer... one of the few English writers of his generation who will be read in a hundred years' time." -- The Sunday Times (London)
Without a doubt, Peter Ackroyd's breakout book. It has all the erudition and literary brilliance we expect of Ackroyd, yet it is as vivid, scary, and spellbinding as the best of Edgar Allan Poe. The year is 1880, the setting London's poor and dangerous Limehouse district, home to immigrants and criminals. A series of brutal murders has occurred, and, as Ackroyd leads us down London's dark streets, the sense of time and place becomes overwhelmingly immediate and real. We experience the sights and sounds of the English music halls, smell the smells of London slums, hear the hooves of horses on the cobblestone streets, and attend the trial of Elizabeth Cree, a woman accused of poisoning her husband but who may be the one person who knows the truth about the murders. The wonderfully rhythmic shifting of focus from trial to back alleys, where we come upon George Gissing, author of New Grub Street, and even Karl Marx, gives the story a tremendous depth and resonance beyond its page-turning thriller plot. Peter Ackroyd has once again confirmed his place as one of the great writers of our time.
Previously published as The Trial Of Elizabeth Cree.
PUBLISHERS WEEKLY
The latest from Ackroyd (English Music) is a deft, if somewhat cerebral and cold-blooded, exercise in historical crime fiction set in a late-Victorian London teeming with intellectual activity, extreme poverty and all manner of sensational public spectacles. A blend of trial transcripts, first-person accounts and microscopic biographical studies of illustrious 19th-century lives, the story is an impressive feat of historical fidelity and fictional artistry. In a marvelous coda, Ackroyd even unites his protagonists in the audience of a theater, to watch a play based on the gruesome events of the novel. The story opens with the trial and execution of former music-hall actress Elizabeth Cree, convicted of poisoning her husband, John Cree, whose diary entries suggest that he is the ``Limehouse Golem,'' a serial killer stalking the squalid, smog-choked streets of London's Jewish district. Around these grisly deeds weave the intersecting paths of Ackroyd's nonfictional characters, including George Gissing, Karl Marx and popular theater star Dan Leno, who haunt the Reading Room of the British Museum and the chiarascuro streets of the city. The Golem's identity, in a not unexpected plot twist, is ultimately found among the protean personae of the theater world. Yet Ackroyd reminds us at every turn that his fictional whodunit enfolds a larger, unsolvable mystery, a mystery of London itself, and of the solace that its populace finds in popular spectacles of sensational crime and violence.
