The Manny
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- ¥590
発行者による作品情報
Sex and the City with a baby: the hot new Manhattan novel is a brilliantly entertaining romantic comedy about a harassed working mum who hires a male nanny.
Welcome to the Grid, home to New York’s uber rich, where a manny – a male nanny – is the hottest new hire in town.
And Peter Bailey is young, fun and drop-dead gorgeous. He could be the answer to Jamie Whitfield’s prayers, even if her husband disagrees.
Peter comes from a very different world to Jamie’s. He’s cool, calm and he sees right through her attempts to fit in with her chic and sleek neighbours.
Ditching high society dinners for dancing in Brooklyn, Jamie begins to wonder if a married uptown girl can fall for a downtown guy. He’s good for her children. Could the manny be good for her too…?
Reviews
‘The Manny is a sharp and hugely enjoyable read. Fans of New Yorker must-bys The Devil Wears Prada and The Nanny Diaries should be rushing this one to the tills faster than SJP at a Manolo sample sale. ***** Heat
'A lively debut' Tatler
'A cleverly sub-plotted metropolitan fairy tale' Good Housekeeping
'Move over yummy mummies. The yummy manny is in town.' Spectator
‘Money, Manners, Mannys: Holly Peterson's debut is a fabulously sharp skewering of the silly-rich in New York. I couldn't put it down. We should ALL get a Manny.’ Plum Sykes, author of Bergdorf Blondes
About the author
After a decade as an Emmy-Award winning Producer for ABC News Primetime, Holly Peterson worked as Tina Brown's right-hand woman at Talk. As a contributing editor to Newsweek magazine, Holly acts as an in-house Producer and Story Editor. Holly and her husband now live in NYC, happily, with their three children.
PUBLISHERS WEEKLY
Jamie Whitfield, 36, lives on Park Avenue with her three children and her mostly absent high-powered attorney husband, Phillip, and works part-time as a producer for a prime-time news program. She hires Peter Bailey 29 and biding his time until he get funding for his software business to plug the household's gaps and be a father figure to nine-year-old Dylan. The two, of course, are attracted to each other, and when Peter's money comes through, he doesn't tell Jamie. Phillip's temper tantrums when lacking pulpless orange juice or a wooden-handled umbrella are surprisingly funny, and a subplot where Jamie chases a trashy but potentially career-making story is strong. Jamie's co-workers are more realistically portrayed than her shallow friends, but even Jamie's children come alive when they root for mom's success.
