The Marriage Plot
-
-
5.0 • 1件の評価
-
-
- ¥740
発行者による作品情報
The new novel from the bestselling author of Middlesex and The Virgin Suicides.
Brown University, 1982. Madeleine Hanna, dutiful English student and incurable romantic, is writing her thesis on Jane Austen and George Eliot – authors of the great marriage plots. As Madeleine studies the age-old motivations of the human heart, real life, in the form of two very different men, intervenes.
Leonard Bankhead, brilliant scientist and charismatic loner, attracts Madeleine with an intensity that she seems powerless to resist. Meanwhile, her old friend Mitchell Grammaticus, a theology student searching for some kind of truth in life, is certain of at least one thing – that he and Madeleine are destined to be together.
But as all three leave college, they will have to figure out how they want their own marriage plot to end.
Reviews
‘If you were ever young and thought you knew what you wanted, if you ever imagined that no one could feel such intensity of emotion as you, if you ever had your dreams dashed and your heart broken, then this is the book for you’ The Times
‘I adored The Marriage Plot … David Nicholls’ One Day with George Eliot thrown in’ Erica Wagner, The Times, Books of the Year
‘I gorged myself on The Marriage Plot’ Geoff Dyer
‘A marvellous, compulsive storyteller; he reminds us that while love may not always triumph, it follows its own wayward course to the end’ Sunday Telegraph
‘Where it excels is in pinpointing human emotions and in capturing the giddy flux of young love. As Mitchell says, “There were some books that reached through the noise of life to grab you by the collar and speak only of the truest things.” Funny, poignant and insightful, this is one of those books’ Sebastian Shakespeare
‘Immensely readable, funny and heartfelt, with instantly beguiling writing that springs effortlessly back and forth over the year’s events… it was indeed worth waiting for’ Daily Telegraph
‘Utterly engrossing … so well depicted – with wit, care and charm – that Eugenides hasn’t just raised his game, he’s changed the fictional goalposts’ Daily Mirror
‘In the generosity and and nuance of his characters and paragraphs you are reminded of the Jonathan Franzen of “The Corrections”’ Observer
‘Moving, human and challenging…subtle, pertinent narrative observations that show the work of a master of fiction at work’ Times
About the author
Jeffrey Eugenides was born in Detroit and attended Brown and Stanford Universities. His first novel, The Virgin Suicides, was published in 1993 to great acclaim and he has received numerous awards for his work. In 2003, Eugenides received the Pulitzer Prize for his novel Middlesex, which was also a finalist for the National Book Critics Circle Award, the IMPAC Dublin Literary Award and France’s Prix Medicis and has sold more than 3 million copies.
PUBLISHERS WEEKLY
Eugenides's first novel since 2002's Pulitzer Prize winning Middlesex so impressively, ambitiously breaks the mold of its predecessor that it calls for the founding of a new prize to recognize its success both as a novel and as a Jeffrey Eugenides novel. Importantly but unobtrusively set in the early 1980s, this is the tale of Madeleine Hanna, recent Brown University English grad, and her admirer Mitchell Grammaticus, who opts out of Divinity School to walk the earth as an ersatz pilgrim. Madeleine is equally caught up, both with the postmodern vogue (Derrida, Barthes) conflicting with her love of James, Austen, and Salinger and with the brilliant Leonard Bankhead, whom she met in semiotics class and whose fits of manic depression jeopardize his suitability as a marriage prospect. Meanwhile, Mitchell winds up in Calcutta working with Mother Theresa's volunteers, still dreaming of Madeleine. In capturing the heady spirit of youthful intellect on the verge, Eugenides revives the coming-of-age novel for a new generation The book's fidelity to its young heroes and to a superb supporting cast of enigmatic professors, feminist theorists, neo-Victorians, and concerned mothers, and all of their evolving investment in ideas and ideals is such that the central argument of the book is also its solution: the old stories may be best after all, but there are always new ways to complicate them.
