The Melting Clock
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- ¥1,000
発行者による作品情報
Time is running out for surrealist painter Salvador Dalí and a 1940s Hollywood PI: "Fast-paced, well-plotted, consistently funny" (The Philadelphia Inquirer).
Talk about surreal! An ax-wielding monk hacks at a door, while on the other side private detective Toby Peters is running as fast as his recently broken leg will allow, alongside Salvador Dalí, dressed in a rabbit suit, repeatedly muttering "grasshoppers" as they try to make their escape.
It all started when Dalí hired a gang of burglars to steal three of his own paintings—a publicity stunt that spiraled out of control when the thieves refused to give the missing masterpieces back. Dalí hired Peters to find the artwork, but now it seems the pair may have painted themselves into a corner.
"The flamboyant prankster-artist [Dalí] holds his own among the hero's circle of zany friends in Mr. Kaminsky's Technicolor fantasy of 1940's Hollywood." —The New York Times
"Once again Kaminsky mixes the real—in this case the surreal—with the fictional for a quick-paced, clever revisionist Hollywood romp." —Publishers Weekly
PUBLISHERS WEEKLY
Edgar Award winner Kaminsky ( Poor Butterfly ) pairs his 1940s L.A. private investigator Toby Peters with surrealist painter Salvador Dali in the series hero's 16th outrageous escapade. Dali and his wife, Gala, hire Peters to find three paintings and three ornate Russian clocks stolen from their house in Carmel. The only clue is an enigmatic note that, once deciphered with the help of his friend Jeremy Butler, ex-wrestler and poet, leads Peters to a murdered man, one clock and a painting defaced with another coded message. Aided again by Jeremy, Peters discovers another dead man, another clock and another work of art, on which is scrawled the message ``Time is running out. ``Dali confesses planning the theft and the notes as a publicity stunt, but he is horrified by the murders. Peters fears that the painter will be the third victim and enlists the aid of Jeremy and another friend, Gunther, for protection. Once again Kaminsky mixes the real--in this case the surreal--with the fictional for a quick-paced, clever revisionist Hollywood romp.
