The Midnight Shift
The Korean Bestselling Cult Novel
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- ¥2,400
発行者による作品情報
'Skillfully translated . . . Cheon's novel is more than a queer paranormal mystery' - firstCLUE
'An incredible blend of a murder mystery and vampire fantasy' - Reader review
'Stuffed to the brim with mystery, queer romance, and just the right dash of supernatural spice' - Reader review
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A bestseller in Korea, a biting, fast-paced vampire murder mystery exploring sapphic love and the consequences of loneliness.
On the lonely outskirts of Seoul, reports come in of a series of suicides at a hospital. The strange and bloodless nature of the elderly victims is dismissed by most, but not Detective Suyeon.
As Suyeon begins her investigation, a mysterious woman named Violette appears at the crime scene and gives Suyeon the answer: a vampire did it.
The two women begin the hunt for an ancient, supernatural culprit which, in turn, reveals a landscape of modern isolation in a dark, nocturnal Seoul. But as the investigation unfurls, past and present romance and loneliness intertwine it becomes increasingly clear that they, too, are being hunted…
Sometimes the monsters we seek are less frightening than being alone.
The Midnight Shift is a gripping mystery, overflowing with commentary about societal isolation and loneliness, the sharp knife of grief, and the effects of marginalisation, perfect for readers of Cursed Bunny, Woman, Eating and A Certain Hunger.
PUBLISHERS WEEKLY
Seon-ran (A Thousand Blues) crafts an intricate vampire mystery set in contemporary Korea that explores profound themes of loneliness, queer desire, and moral ambiguity. Detective Suyeon finds herself disturbingly alone in investigating a series of apparent suicides at a dilapidated rehabilitation hospital in Incheon. Her suspicions of foul play grow when she repeatedly runs into the enigmatic Violette at the crime scene. A Korean adoptee raised in France and now attempting to reclaim her heritage, Violette purports to be hunting the vampire that, she insists, murdered the elderly victims. Meanwhile, Nanju, a nurse struggling with debt, becomes dangerously entangled with the very monster Suyeon seeks. As bodies drained of blood continue to pile up, Suyeon and Violette must uncover the truth while confronting their own hidden traumas and desires. Cheon skillfully toggles between her three heroines, building impressive emotional depth through their interwoven narration. The darkly romantic flashbacks to 1980s France—highlighting Violette's formative experiences with Lily, a charismatic vampire—are particularly mesmerizing, echoing classic gothic tales with a fresh, queer twist. Though the worldbuilding occasionally feels inconsistent, Cheon's nuanced exploration of loneliness and isolation resonates. K-drama fans, especially those drawn to moody supernatural thrillers and complex, character-driven plots, will eagerly devour this genre-blurring tale.
