The Mirror & the Light
A Novel
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- ¥1,400
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- ¥1,400
発行者による作品情報
The brilliant #1 New York Times bestseller
Named a best book of 2020 by The New York Times, The Washington Post, TIME, The Guardian, and many more
With The Mirror & the Light, Hilary Mantel brings to a triumphant close the trilogy she began with her peerless, Booker Prize-winning novels, Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage.
The story begins in May 1536: Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour.
Cromwell, a man with only his wits to rely on, has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to the breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. All of England lies at his feet, ripe for innovation and religious reform. But as fortune’s wheel turns, Cromwell’s enemies are gathering in the shadows. The inevitable question remains: how long can anyone survive under Henry’s cruel and capricious gaze?
Eagerly awaited and eight years in the making, The Mirror & the Light completes Cromwell’s journey from self-made man to one of the most feared, influential figures of his time. Portrayed by Mantel with pathos and terrific energy, Cromwell is as complex as he is unforgettable: a politician and a fixer, a husband and a father, a man who both defied and defined his age.
PUBLISHERS WEEKLY
In Mantel's magisterial conclusion to the Wolf Hall trilogy, Henry VIII's fixer, Thomas Cromwell, is everywhere. Born poor, Cromwell has risen to Viceregent, Privy Seal, and Baron, with more than a fair share of blood on his hands. The story picks up where Bring Up the Bodies left off, with Cromwell, now in his 50s, witnessing the execution of Anne Boleyn. Cromwell reconciles the king to his stubbornly Catholic daughter, supervises the printing of the English Bible, and arranges the king's marriage to Anne of Cleves. Meanwhile, Cromwell reflects on his crimes and remembers his impoverished youth ("we yearn for our origins; we yearn for an innocent terrain"). In Henry's court, everyone has a grudge; key issues, whether religious, personal, or political, are decided according to who has the king's ear; and disagreement is easily framed as treason. Mantel's craft shines at the sentence level and in a deep exploration of her themes: Henry sees himself as "the mirror and light" to all other princes, but Cromwell is Henry's secret mirror, the record of the king's weaknesses and compromises. Cromwell keeps turning wreckage into building materials, until, that is, the wreckage is his. The series' first two books won the Booker Prize the third, rich with memory and metaphor may be even better.
