The Netanyahus
An Account of a Minor and Ultimately Even Negligible Episode in the History of a Very Famous Family
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- ¥2,000
発行者による作品情報
WINNER OF THE 2022 PULITZER PRIZE FOR FICTION
2021 NATIONAL JEWISH BOOK AWARD WINNER
A NEW YORK TIMES NOTABLE BOOK OF 2021
A WALL STREET JOURNAL BEST BOOK OF 2021
A KIRKUS BEST FICTION BOOK OF 2021
"Absorbing, delightful, hilarious, breathtaking and the best and most relevant novel I’ve read in what feels like forever." —Taffy Brodesser-Akner, The New York Times Book Review
Corbin College, not quite upstate New York, winter 1959–1960: Ruben Blum, a Jewish historian—but not an historian of the Jews—is co-opted onto a hiring committee to review the application of an exiled Israeli scholar specializing in the Spanish Inquisition. When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host to guests who proceed to lay waste to his American complacencies. Mixing fiction with nonfiction, the campus novel with the lecture, The Netanyahus is a wildly inventive, genre-bending comedy of blending, identity, and politics that finds Joshua Cohen at the height of his powers.
PUBLISHERS WEEKLY
Cohen's stinging comedy (after the collection Attention) explores Jewish identity and campus politics in a fictional imagining of the current Israeli prime minister's family and their time spent in the U.S. in the early 1960s. Dr. Ben-Zion Netanyahu, a controversial Israeli historian forced into exile for his views, lands at Corbin College in Corbindale, N.Y., a stand-in for Cornell. Narrating in a rich first person is Ruben Blum, a history professor emeritus at Corbin, who suffered numerous "limp-slung swings and rubber-gag arrows" during his tenure. In lieu of plot, Cohen makes hay of the culture clash between the Blums and the Netanyahus, among them "quiffhaired wife" Tzila and rambunctious sons Jonathan, Benjamin, and Iddo. Uncomfortable exchanges abound on campus after the boozy aftermath of one of Netanyahu's lectures. (Another professor describes him as "afflicted with the hubris of the wounded intelligentsia.") Cohen's writing is vibrant even when ruminating on esoteric details on Jewish identity theories. A juicy afterword titled "Credits and Extra Credit" elucidates the genesis of many of the novel's components, including Cohen's correspondence with Harold Bloom (revealed as an inspiration for Blum) and claims that "Bibi" inflated the importance of his father's work after becoming prime minister. This blistering portrait is great fun.
