The Past
From the prize-winning Sunday Times bestseller
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- ¥1,200
発行者による作品情報
Rivalry, unruly desire and ugly secrets poison a family holiday in this gripping novel from the Sunday Times bestselling author of Free Love and Late in the Day.
'Few writers give me such consistent pleasure' Zadie Smith
Four siblings meet up in their grandparents' old house for three long, hot summer weeks. But under the idyllic surface lie shattering tensions.
Roland has come with his new wife, and his sisters don't like her. Fran has brought her children, who soon uncover an ugly secret in a ruined cottage in the woods. Alice has invited Kasim, an outsider, who makes plans to seduce Roland's teenage daughter. And Harriet, the eldest, finds her quiet self-possession ripped apart when passion erupts unexpectedly.
Over the course of the holiday, a familiar way of life falls apart forever.
'Exquisite' The Times
'Wonderful' Guardian
'Magnificent' Sunday Times
PUBLISHERS WEEKLY
Not much happens in this sixth novel from Hadley (Clever Girl), yet even its most quotidian events seem bathed in meaning and consequence. Set exclusively on the rambling grounds of a crumbling English cottage estate, the story follows four middle-aged siblings as they putter about their deceased grandparents' home for three weeks, deciding whether or not to sell it. Split into three acts two bookends that take place in the present, and one middle section that flashes back to their dead mother's brief return to the cottage during a tumultuous time in her marriage the book has the feeling of a disjointed structure. But like her previous works, it's Hadley's ability to probe the quirks of her characters' psyches that makes this novel exceptional. Whether it's the vain second-youngest sibling, Alice, and her habit of overcompensating for her brother's and sisters' inadequacies, or the introverted oldest sibling Hettie, and her secret obsession with her stuffy brother, Roland, and his sophisticated Argentinian wife (his third), Hadley has a knack for exposing each character's most pressing vulnerabilities. Of special note are the scenes involving the teenagers at the house Roland's 16-year-old daughter, Molly, and Alice's ex-boyfriend's college-age son, Kasim. The lovebirds' blooming infatuation with each other is palpable and awkward; it recalls the epic nature of falling helplessly, giddily in love for the first time. This is familial drama at its best unabashedly ordinary yet undoubtedly captivating.
