The Play Goes On
A Memoir
-
- ¥2,200
-
- ¥2,200
発行者による作品情報
A revealing and heartfelt memoir of a Pulitzer Prize–winning artist finding joy and inspiration after tragedy.
In his critically acclaimed Rewrites, Neil Simon talked about his beginnings—his early years of working in television, his first real love, his first play, his first brush with failure, and, most moving of all, his first great loss. Simon's same willingness to open his heart to the reader permeates The Play Goes On.
This second act takes the reader from the mid-1970s to the present, a period in which Simon wrote some of his most popular and critically acclaimed plays, including the Brighton Beach trilogy and Lost in Yonkers, for which he won the Pulitzer Prize. Simon experienced enormous professional success during this time, but in his personal life he struggled to find that same sense of happiness and satisfaction. After the death of his first wife, he and his two young daughters left New York for Hollywood. There he remarried, and when that foundered he remarried again. Told with his characteristic humor and unflinching sense of irony, The Play Goes On is rich with stories of how Simon's art came to imitate his life.
Simon's forty-plus plays make up a body of work that is a long-running memoir in its own right, yet here, in a deeper and more personal book than his first volume, Simon offers a revealing look at an artist in crisis but still able and willing to laugh at himself.
PUBLISHERS WEEKLY
Simon begins his hauntingly sad yet often quite funny second memoir (following his 1996 Rewrites) in 1973, on the day after the burial of his first wife, who died of cancer. Things look bad at first, as the massively successful American playwright (he's won the Pulitzer Prize and three Tony awards, and written 40 plays and almost as many original and adapted screenplays) can't even get out of bed. It thus comes as a great relief, if also something of a surprise, when Simon meets and marries actress Marsha Mason three months later. In Mason, Simon finds not only an outstanding interpreter of his words (Goodbye Girl, Only When I Laugh), but also an inspiration (Chapter Two, a play about a widower's second marriage). When his relationship with Mason collapses nine years later, Simon plunges back into a depression that is exacerbated by his first-ever career slump. Eventually, he applies a combination of innovative personal therapies (he spends a lot of time with his dog and shoots a pistol into his swimming pool) and professional luck (he stumbles over a draft of the eventual megahit Brighton Beach Memoirs that he had penned several years before) and claws his way out of his slump. His greatest successes still lay ahead (along with another marriage--and divorce and remarriage) in the form of his BB trilogy (Brighton Beach Memoirs, Biloxi Blues and Broadway Bound), featuring his alter ego Eugene Jerome. Simon says that a memoir should serve two functions: "to pass on as much as you're willing to tell" and "to discover a truth about yourself you never had the time or courage to face before." A superb and introspective raconteur, he achieves both goals many times over in this exhilarating book.
