The Raydiant Labyrinth

This book is a dual hydra caught between [fictional] autobiography and research paper, if the paper captured just about metaphysical polarity you can think of, namely between the complementary involvement of the known with the unknown, Inspiration and contemplation, music and the Word, theology and science, synchronicity and intervention, intuition and reason, the eye of the beholder and the artist. It’s not often that art theory converges with God theory. It does so by tracing current music as content over the span of 1987 to 2007, and in so doing outlines the implication of a dual masculine/feminine God theoretically illuminating ItSelf in the feminine, in the present, in accord with Christianity, and manages this within the perfectly mundane every day, during the course of which reality itself begins to bend around the idea to the point of being manifest to the artists themselves who may not have known it. It is as well applied to the Holy Land as to environmentalism, with a dash of world travel commensurate with mind scape interior development, dance, psychoactives,  and women (all wrapped up in a memoir) -all of which have as much bearing as the select topic.