The Scoreless Thai
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- ¥880
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- ¥880
発行者による作品情報
Evan Tanner can't sleep. Ever. Which gives him plenty of free time to get involved in lots of interesting endeavors in all sorts of exotic locales.
Now Tanner's in Thailand with a partially baked plan and a butterfly net, hoping to snare a beautiful missing chanteuse who's metamorphosed into an international jewel thief. Tanner hopes everyone will buy his disguise as a rare butterfly researcher. And everyone does . . .
Except the guerilla band holding him captive. They intend to remove his head when the sun rises, so Tanner must put his fate in the hands of a randy Thai youth who will do anything for a woman, even set a suspected spy free. Soon they're running through the jungle together, chased by bandits, soldiers, and yellow fever, and racing headlong into the heart of darkness—and into the flames of war.
PUBLISHERS WEEKLY
In this first hardcover edition of a 1968 paperback original (titled Two for Tanner), Evan Tanner is "the spy who never sleeps," a Korean War vet whose head injury has destroyed the sleep center in his brain. Never having to sleep, Tanner has plenty of time to become interested in hopeless causes, help oppressed groups, learn obscure languages and travel to exotic locales. The U.S. government has used his undercover talents in the past, but in this fourth novel in the Tanner series he's working for himself. Missing in Thailand is his latest girlfriend, singer Tuppence Ngawa, who is half African and half American and speaks in a bizarre '60s jive. Tuppence and the jazz musicians with whom she was on tour have been kidnapped by Communist rebels, shortly after a major burglary of the Thai royal jewelry collection. Tanner rushes to Tuppence's rescue, only to be taken prisoner by another rebel group in the dense Thai jungle. Tanner escapes from a bamboo cage perched in a tree with the help of a small, comical Thai who believes that somehow Tanner can help him finally find a woman who will relieve him of his virginity. This early Block novel is very much of its time, very '60s, with eerie echoes of the treatment of American POWs in Vietnam. It's still a great pleasure today.
