The South
A Novel
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- ¥1,700
発行者による作品情報
Long-listed for the Booker Prize and the National Book Critics Circle Award for Fiction
Named one of The New York Times’s Notable Books of the Year
One of The Washington Post’s Best Fiction Books of the Year
A radiant, intimate novel of the longing that blooms between two boys over the course of one summer—about family, desire, and what we inherit.
When his grandfather dies, Jay travels south with his family to the property they’ve inherited, a once-flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought.
Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the son of the farm’s manager, different from him in every way except for one.
Out in the fields, and on the streets into town, the charge between the boys intensifies. Inside the house, the other family members begin to confront their own secrets and regrets. Jack is a professor at a struggling local college whose failures might have begun when he married his student, Sui Ching. Sui Ching does her best to keep the family together, though she too wonders what her life could have been. And Fong, the manager, refuses to look at what is: at Chuan, at the land, at the global forces that threaten to render his whole life obsolete.
At once sweeping and compressed, Tash Aw’s The South is a family novel of change and desire—a story of what happens when public and private lives collide, told with uncommon grace and beauty.
PUBLISHERS WEEKLY
The stellar latest from Aw (The Harmony Silk Factory) chronicles a sensitive boy's coming-of-age and his family's private pain. "Wayward" adolescent Jay is the youngest of the Lim family, who leave their unnamed Malaysian city during his summer break from high school for their small farm in the south. Aw evokes a mood of pervasive decline, describing the financial troubles plaguing the country, the farm's economic problems, and the deterioration of family patriarch Jack, a severe, unlikable math teacher. Against this melancholy backdrop, Aw masterfully juxtaposes the hopes and desires of the younger generation, crystallized in the tender, slow-burning relationship between Jay and a slightly older and stronger boy named Chuan, son of the farm's manager. Questions of how to manage one's inheritance, whether of material assets or emotional baggage, are central to the novel, as Aw explores how the characters, especially Jay's mother, Sui, feel indebted and trapped. Through alternating close-third perspective, and occasional first-person passages from Jay, Aw offers a clear view into the characters' inner lives, revealing their aching desires and the secret relationships and personal crises they hide from each other. In addition to the perceptive characterizations, Aw uses rich symbolism, such as the Lims' ever-present tamarind grove, alive and beautiful but terminally diseased. This masterwork of psychological realism brings to mind the classic novels of E.M. Forster.
