The Third Policeman
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- ¥550
発行者による作品情報
A masterpiece of black humour from the renown comic and acclaimed author of ‘At Swim-Two-Birds’ – Flann O’Brien.
A thriller, a hilarious comic satire about an archetypal village police force, a surrealistic vision of eternity, the story of a tender, brief, unrequited love affair between a man and his bicycle, and a chilling fable of unending guilt, ‘The Third Policeman’ is comparable only to ‘Alice in Wonderland’ as an allegory of the absurd.
Distinguished by endless comic invention and its delicate balancing of logic and fantasy, ‘The Third Policeman’ is unique in the English language.
Reviews
‘Flann O’Brien learned from Joyce the art of tuning language to a lyrical pitch, which he could then turn to his purpose, whether it was to be plain foolery, unconcealed indignation or high comedy. The best of his contemporaries and many subsequent Irish writers have much to thank him for.’ Sunday Times
‘Flann O’Brien is inventive, his storytelling is swift and sure, making the eccentric seem natural and the commonplace hilarious.’ The Times
‘Even with “Ulysses” and “Finnegans Wake” behind him, James Joyce might have been envious.’ Observer
‘Wonderful. “The Third Policeman” is a great masterpiece of black humour.’ George Mackay Brown
About the author
Flann O’Brien was one of the many pseudonyms of Brian O’Nolan, author of the classic novel ‘At Swim-
Two-Birds’ and, under the name Myles na Gopaleen, writer of a celebrated satirical column in the Irish Times which appeared daily for almost thirty years. Highly praised by Samuel Beckett and James Joyce, amongst others, O’Brien is regarded as one of the great comic writers of the twentieth century. He died in 1966.
PUBLISHERS WEEKLY
If ever a book was brought to life by a reading, it is this presentation of O'Brien's posthumously published classic. Norton individually crafts voices and personalities for each character in such a way that a listener might imagine an entire cast of voice talent working overtime. This is a comic/surreal tale of a one-legged gentleman farmer who participates in a poorly planned botched robbery-turned-murder, only to find himself having a long conversation with the dead man shortly after the deed. In addition he hears from his own soul, who he names "Joe." Joe's voice is that of a wry observer with a voice of calm, removed authority, whereas dead man Mathers' voice is completely nasal, at once sickly and droll. Mathers sends the farmer to a two-dimensional barracks of three metaphysical policemen. Here he finds himself in a world where people can become bicycles and eternity is within walking distance. Norton's rendition of the main policeman, Sergeant Pluck, tips the reading into a full-out performance. The enormous blustery fellow with red cheeks and brushy mustache and eyebrows is portrayed like a jolly yet dangerous Disney walrus. Norton's Irish brogue, accentuated to different degrees with the various characters, ties the ribbon on a perfect presentation of this absurd and chilling masterpiece.
