The Tower
A Novel
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- ¥710
発行者による作品情報
A New Yorker Best Book of the Year • A bold, feminist debut novel, reimagining Mary, Queen of Scots’s darkest hour, when she was held hostage in a remote Scottish castle with a handful of loyal women while plotting a daring escape to reclaim her country and her freedom.
"Such a vivid, visceral read, you feel you’re locked in the tower alongside the characters, acting out a royal family drama. I am moved and impressed." --Tracy Chevalier, New York Times bestselling author of Girl with a Pearl Earring
Scotland, 1567. A pregnant Mary, Queen of Scots is dragged out of her palace by rebel lords and imprisoned in the isolated Lochleven Castle, an ancient fortress surrounded by a vast lake. Her infant son and heir, James, has been captured by her enemies.
Accompanying Mary are two inconspicuous serving women: observant, ambitious Jane and romantic, quick-tempered Cuckoo, who endeavor to keep their mercurial mistress company while sharing the space of a claustrophobic room over the course of their eleven-month forced stay. Their hosts want them dead. They'll settle for Mary's abdication.
After Mary reluctantly surrenders her throne, her closest friend, the reserved, devoted Lady Seton, is permitted to join the captive women. Against the odds, as they hatch a perilous getaway plan, the four women form a bond that transcends class and religion, and for Jane and Seton, becomes something even deeper. At the center of it all is Mary--calculating, charming, brave, and unbowed. Flora Carr's thrilling, feverish debut is a celebration of resilience, a meditation on the meaning of power, and a testament to the unshakeable strength of female friendship, starring one of history's most charismatic leaders.
PUBLISHERS WEEKLY
Carr's lush debut chronicles the imprisonment of Mary, Queen of Scots (1542–1587), following a coup by rebel lords. Recently married to her third husband and several months pregnant after he raped her, Mary is rowed from Edinburgh to Lockleven in 1567 to be held in a castle belonging to her father's mistress. At her side are two chambermaids: Jane, a native of Scotland, and Cuckoo, who, like Mary, is originally from France. The two women are devoted to their queen and attempt to lighten her spirits through the first difficult months of her imprisonment, including her miscarriage, forced abdication, and severe illness. Tension mounts with the arrival of Lady Seton, Mary's closest friend, as the three women vie for the queen's devotion. Further drama ensues after Cuckoo has sex with a lute player and the women smuggle him out of their chamber by dressing him in women's clothes, an act of subterfuge that inspires Mary's climactic escape. Adding to the gripping plot is Carr's successful portrayal of the women's shared determination—driven by "memories as though they are prayers"—to recapture the kingdom. It amounts to a rousing and lyrical epic.
