The Twylight Tower
An Elizabeth I Mystery
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- ¥710
発行者による作品情報
It is May 1560. As sinister storm clouds gather overhead, twenty-six-year-old Queen Elizabeth dispatches William Cecil, her most trusted adviser, to Scotland for crucial negotiations. Handsome, ambitious Lord Robert Dudley is at her side. But their leisurely midsummer idyll is cut short when the court’s master lutenist plunges to his death from a parapet beneath the queen’s window. The loyal retainers of Elizabeth’s privy council do not accept the official verdict of accidental death. Their fears are borne out when another tragedy rocks the realm, and points the way to a conspiracy to bring down Elizabeth and seize the throne. As ill winds of treachery swirl around the court, and suspicion falls on those within Elizabeth’s intimate circle, a vengeful enemy slips from the shadows...a traitorous usurper who would be sovereign.
With The Twylight Tower, Karen Harper brings a legendary era to life, drawing us into an intoxicating world of majesty and mayhem, political intrigue and adventure...where danger is everywhere...and where a young queen journeys to greatness in the long shadow of her bloodstained past.
PUBLISHERS WEEKLY
This third book in Harper's Elizabeth I series features a "she-can-do-it-all" protagonist and a plot that fails to fully quicken. It is a tale grown from a kernel of historical fact the murder of Amy Robsart Dudley, wife to horse master Robert Dudley, with whom the queen is besotted. Amy's untimely death and a mellifluous lutenist's suspicious demise lead to the uncovering of a conspiracy to wrest the crown from the young queen, now versed in sniffing out murdering pretenders to the throne. Elizabeth is less successful in capturing the reader. Having strained to depict the queen as stalwart sovereign and sometime sleuth, Harper also struggles to underscore Elizabeth's old-fashioned femininity, and there is more than a whiff of cloying romance here as well. We are repeatedly alerted to the "slim body" swathed in floral-scented robes in which the queen's fine mind resides, and are privy to moments in which she pines expectantly for her ruggedly handsome Dudley. But this queen is also a feminist, and when her feelings for Dudley become common knowledge and are frowned upon, she ponders righteously the asymmetrical expectations that women and men face: "Why could a queen not carry on as a king and to hell with what people thought? Must a woman's reputation be so much more pristine and precious than a man's?" Those with a firmly entrenched proclivity for historical fiction and romance may be able to overlook such patches of clumsy prose and clich .
