The Undying
Pain, vulnerability, mortality, medicine, art, time, dreams, data, exhaustion, cancer, and care
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- ¥1,500
発行者による作品情報
WINNER OF THE 2020 PULITZER PRIZE IN GENERAL NONFICTION
"The Undying is a startling, urgent intervention in our discourses about sickness and health, art and science, language and literature, and mortality and death. In dissecting what she terms 'the ideological regime of cancer,' Anne Boyer has produced a profound and unforgettable document on the experience of life itself." —Sally Rooney, author of Normal People
"Anne Boyer’s radically unsentimental account of cancer and the 'carcinogenosphere' obliterates cliche. By demonstrating how her utterly specific experience is also irreducibly social, she opens up new spaces for thinking and feeling together. The Undying is an outraged, beautiful, and brilliant work of embodied critique." —Ben Lerner, author of The Topeka School
A week after her forty-first birthday, the acclaimed poet Anne Boyer was diagnosed with highly aggressive triple-negative breast cancer. For a single mother living paycheck to paycheck who had always been the caregiver rather than the one needing care, the catastrophic illness was both a crisis and an initiation into new ideas about mortality and the gendered politics of illness.
A twenty-first-century Illness as Metaphor, as well as a harrowing memoir of survival, The Undying explores the experience of illness as mediated by digital screens, weaving in ancient Roman dream diarists, cancer hoaxers and fetishists, cancer vloggers, corporate lies, John Donne, pro-pain ”dolorists,” the ecological costs of chemotherapy, and the many little murders of capitalism. It excoriates the pharmaceutical industry and the bland hypocrisies of ”pink ribbon culture” while also diving into the long literary line of women writing about their own illnesses and ongoing deaths: Audre Lorde, Kathy Acker, Susan Sontag, and others.
A genre-bending memoir in the tradition of The Argonauts, The Undying will break your heart, make you angry enough to spit, and show you contemporary America as a thing both desperately ill and occasionally, perversely glorious.
Includes black-and-white illustrations
PUBLISHERS WEEKLY
Poet Boyer (Garments Against Women) returns with a beautiful memoir about her battle with breast cancer. The book covers Boyer's 2014 diagnosis at age 41, her grueling chemotherapy treatments, and her double mastectomy, delving into the fear, suffering, and loneliness that cancer brings. Cancer makes "the boundaries of our bodies break," Boyer writes. "Everything we were supposed to keep inside of us now seems to fall out.... We can't stop crying. We emit foul odors. We throw up." Boyer criticizes the "capitalist medical universe" in which women are given "drive-through mastectomies," and she puts into sharp focus the economic toll cancer takes on women of limited means. A single mother with no savings, Boyer had to return to her teaching job 10 days after her surgery because her medical leave had run out; she was so weak that friends had to carry her books. This memoir lays bare Boyer's pain and exhaustion and is stacked with revelatory observations: "There is no more tragic piece of furniture than a bed," she writes, "how it falls so quickly from the place we make love to the place we might die in." Boyer's gorgeous language elevates this artful, piercing narrative well above the average medical memoir.
