The Wildest Sun
A Novel
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- ¥850
発行者による作品情報
Following her New York Times bestselling debut Fifty Words for Rain, Asha Lemmie's next sweeping and evocative novel introduces a determined young woman’s search for the larger-than-life literary figure she believes to be her father.
When tragedy forces Delphine Auber, an aspiring writer on the cusp of adulthood, from her home in postwar Paris, she seizes the opportunity to embark on the journey she's long dreamed of: finding the father she has never known. But her quest—spanning from Paris to New York’s Harlem, to Havana and Key West—is complicated by the fact that she believes him to be famed luminary Ernest Hemingway, a man just as elusive as he is iconic. She desperately yearns for his approval, as both a daughter and a writer, convinced that he holds the key to who she's truly meant to be. But what will happen if she is wrong, or if her real story falls outside of the legend of her parentage that she’s revered all her life?
The Wildest Sun is a dazzling, unexpected, and transportive story about coming into adulthood—from escaping our pasts, to the stories we tell ourselves, to the ambition that drives us—as we seek to find out who we are.
PUBLISHERS WEEKLY
Lemmie (Fifty Words for Rain) delivers a lackluster tale of an aspiring writer who grew up believing she's the daughter of Ernest Hemingway and hopes that meeting him will bring fulfillment. Since childhood, Delphine Auber, now 17 in 1945 Paris, has taken care of her alcoholic mother Sylvie, who was once a friend to the Lost Generation writers and claimed Hemingway is Delphine's father. Following Sylvie's death, Delphine leaves Paris for New York City and lives in Harlem with Blue and Delia, family friends who show her parental love for the first time. She befriends Teddy, an ill-fated actress whose beauty and hard drinking remind Delphine of her mother. Desperate to fund a trip to Cuba to meet Hemingway, Delphine steals money from Teddy's boyfriend. After arriving in Havana in December 1946, she hires a Spanish tutor who encourages her to approach Hemingway. She does, while Hemingway is fishing, but she's afraid to take the conversation beyond small talk ("Papa didn't claim me on sight," she narrates dejectedly). The prose is hackneyed, but Lemmie manages to generate empathy for Delphine as she stays on in Cuba, where she reconsiders her assumptions about her paternity after receiving a letter from an old friend of Sylvie's and tries her own hand at writing. This one's for Lost Generation obsessives only.
