The Witch King
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- ¥1,700
発行者による作品情報
A New York Public Library Best Book for Teens 2021
To save a fae kingdom, a trans witch must face his traumatic past and the royal fiancé he left behind.
In Asalin, fae rule and witches like Wyatt Croft…don’t. Wyatt’s betrothal to fae prince Emyr North was supposed to change that. But when Wyatt lost control of his magic one devastating night, he fled to the human world.
Now a coldly distant Emyr has hunted him down. Despite transgender Wyatt’s newfound identity and troubling past, Emyr claims they must marry now or risk losing the throne. Jaded, Wyatt strikes a deal with the enemy, hoping to escape Asalin forever. But as he gets to know Emyr again, Wyatt realizes the boy he once loved may still exist. And as the witches face worsening conditions, he must decide what’s more important—his people or his freedom.
Don’t miss the spellbinding conclusion to H.E. Edgmon's Witch King duology: THE FAE KEEPER.
PUBLISHERS WEEKLY
Technomagic, queer activism, and an extremely online trans protagonist sparkle in this wisecracking, intimate #OwnVoices debut. Three years ago, Wyatt Croft's uncontrolled magic started a murderous wildfire, and he fled the fae kingdom of Asalin for Texas. Now 17 and out as a gay trans man, having escaped the persecution that Asalin's witches face, Wyatt, who's white, resents being dragged home by Emyr North, his "nearly obsidian" royal fiancé and former friend, to marry and secure the throne against a rival upstart. Wyatt and his asexual best friend Briar (who is Seminole and Diné) are quickly swept into a grassroots witch movement as well as a dark deal with Emyr's rival for Wyatt's freedom. But Wyatt's bond with Emyr hasn't died, and it may change everything. Edgmon's ebullient debut depicts a variety of trans perspectives with tender sensitivity, and quintessential walking disaster Wyatt's self-deprecating humor, punk glee, and surprisingly level head are vividly lovable. Despite the book's occasional stumbles into social media didacticism, readers will adore this revolution-tinged celebration of trans joy, which refreshingly builds its conflict without jumping for trauma tropes. Ages 13–up.
