The Witches
Salem, 1692
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- ¥1,900
発行者による作品情報
The Pulitzer Prize-winning author of the #1 national bestseller Cleopatra unpacks the mystery of the Salem Witch Trials.
“The Witches is the fullest and finest story ever told about Salem in 1692, and no one else could tell it with the otherworldly flair of Stacy Schiff.” ―Joseph J. Ellis, Pulitzer Prize-winning author of The Quartet
It began in 1692, over an exceptionally raw Massachusetts winter, when a minister's daughter began to scream and convulse. It ended less than a year later, but not before 19 men and women had been hanged and an elderly man crushed to death.
The panic spread quickly, involving the most educated men and prominent politicians in the colony. Neighbors accused neighbors, parents and children each other. Aside from suffrage, the Salem Witch Trials represent the only moment when women played the central role in American history. In curious ways, the trials would shape the future republic.
As psychologically thrilling as it is historically seminal, The Witches is Stacy Schiff's account of this fantastical story—the first great American mystery unveiled fully for the first time by one of our most acclaimed historians.
“Once again Stacy Schiff dazzles us. The Witches is a must read for anyone intrigued by this baffling and horrifying chapter from America's Puritan past. What Schiff uncovers is mesmerizing and shocking. Her meticulous research and lyrical writing lay bare an injustice that we should never forget-lest we repeat it.” ―Patricia Cornwell, author of True Crime and the Scarpetta novels
PUBLISHERS WEEKLY
Pulitzer-winner Schiff (Cleopatra: A Life) applies her descriptive prowess and flair for the dramatic to the Salem witch trials. The book is packed with details and delivered with a punch, but it suffers from a dearth of nuance. Schiff's passionate use of the active tense places the reader right in the midst of the action, about 15 miles north of Boston during the spring of 1692. However, this laudable effort also causes some confusion over place and time, and it's hard to distinguish the facts from Schiff's imaginative attempts at turning the trial reports into narrative action. There are disorienting shifts between passages in which the reader is immersed in the spooky, supposedly magical environment of Salem, and more prosaic sections describing what actually happened in the trials and town. Schiff provides background context for the events and focuses on the action, but her efforts to apply an overarching fairy tale theme miss their mark, and she avoids deep cultural, historical, and societal analyses of the trials. This retelling succeeds as a work of gripping popular nonfiction, but for those already familiar with the subject, it will serve only as light reading.
