The Wonders
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- ¥1,800
発行者による作品情報
“The Wonders is a poet’s novel, delicate but strong, impressing its images firmly on the imagination.” —Hilary Mantel
LONGLISTED FOR THE DUBLIN LITERARY AWARD
NOW TRANSLATED INTO FIFTEEN LANGUAGES
From award-winning Spanish poet Elena Medel comes a mesmerizing new novel of class, sex, and desire.
Already an international sensation, The Wonders follows Maria and Alicia through the streets of Madrid, from job to job and apartment to apartment, as they search for meaning and stability in a precarious world and unknowingly trace each other’s footfalls across time.
Maria moved to the city in 1969, leaving her daughter with her family but hoping to save enough to take care of her one day. She worked as a housekeeper, then a caregiver, and later a cleaner, and somehow she was always taking care of someone else. Two generations later, in 2018, Alicia was working at the snack shop in Madrid’s Atocha train station when it overflowed with protestors and strikers. All women—and so many of them—protesting what? Alicia wasn’t entirely sure. She couldn’t have known that Maria was among them. Alicia didn’t have time for marches; she was just trying to hang on until the end of her shift, when she might meet someone to take her away for a few hours, to make her forget.
Readers will fall in love with Maria and Alicia, whose stories finally converge in the chaos of the protests, the weight of the years of silence hanging thickly in the air between them. The Wonders brings half a century of the feminist movement to life, and launches an inimitable new voice in fiction. Medel’s lyrical sensibility reveals her roots as a poet, but her fast-paced and expansive storytelling show she’s a novelist ahead of her time.
PUBLISHERS WEEKLY
Spanish poet Medel's remarkable English-language debut moves from Francoist Spain into the present day, tracing a family's fractured ties over three generations. In 1969, María is forced to leave her hardscrabble Córdoba home when she gets pregnant by a married man at 16. After handing over infant Carmen to her family to care for, she moves to Madrid and makes do with backbreaking menial jobs. Her efforts to send money home while saving enough to bring the child to live with her fail, as do her attempts to forge a long-distance maternal bond. By the time she can afford to have Carmen join her in the 1980s, the teenager refuses. As a young woman, Carmen marries a restaurateur and raises her daughter, Alicia, in comfort until the crippling debts her husband's incurred drive him to suicide and the family into poverty when Alicia is 13. Like María, Alicia moves to Madrid, where she drops out of school, enters a dull marriage, works dead-end jobs, and carries on a generally self-destructive lifestyle. She's also haunted by dreams about her father's death, which become stranger and more violent as time passes. She doesn't want to know María, the grandmother she was told abandoned their family, while María has too little information to find Alicia on her own. By 2018, a women's support group that María has helped build organizes a women's march that crosses through Alicia's neighborhood, increasing the chance their paths will cross. Arresting characterizations and vivid prose fuel Medel's searing look at the impact gender, class, and financial hardships have on working-class Spanish women's lives as the country is buffeted by wider cultural shifts. It adds up to a powerful story.
