THE WORKS OF JOHN GREENLEAF WHITTIER, VOLUME VI

Who has not read Pilgrim's Progress? Who has not, in childhood, followed the wandering Christian on his way to the Celestial City? Who has not laid at night his young head on the pillow, to paint on the walls of darkness pictures of the Wicket Gate and the Archers, the Hill of Difficulty, the Lions and Giants, Doubting Castle and Vanity Fair, the sunny Delectable Mountains and the Shepherds, the Black River and the wonderful glory beyond it; and at last fallen asleep, to dream over the strange story, to hear the sweet welcomings of the sisters at the House Beautiful, and the song of birds from the window of that ""upper chamber which opened towards the sunrising?"" And who, looking back to the green spots in his childish experiences, does not bless the good Tinker of Elstow?

And who, that has reperused the story of the Pilgrim at a maturer age, and felt the plummet of its truth sounding in the deep places of the soul, has not reason to bless the author for some timely warning or grateful encouragement? Where is the scholar, the poet, the man of taste and feeling, who does not, with Cowper,

""Even in transitory life's late day,

Revere the man whose Pilgrim marks the road,

And guides the Progress of the soul to God!""

We have just been reading, with no slight degree of interest, that simple but wonderful piece of autobiography, entitled Grace abounding to the Chief of Sinners, from the pen of the author of Pilgrim's Progress. It is the record of a journey more terrible than that of the ideal Pilgrim; ""truth stranger than fiction;"" the painful upward struggling of a spirit from the blackness of despair and blasphemy, into the high, pure air of Hope and Faith. More earnest words were never written. It is the entire unveiling of a human heart; the tearing off of the fig-leaf covering of its sin. The voice which speaks to us from these old pages seems not so much that of a denizen of the world in which we live, as of a soul at the last solemn confessional. Shorn of all ornament, simple and direct as the contrition and prayer of childhood, when for the first time the Spectre of Sin stands by its bedside, the style is that of a man dead to self-gratification, careless of the world's opinion, and only desirous to convey to others, in all truthfulness and sincerity, the lesson of his inward trials, temptations, sins, weaknesses, and dangers; and to give glory to Him who had mercifully led him through all, and enabled him, like his own Pilgrim, to leave behind the Valley of the Shadow of Death, the snares of the Enchanted Ground, and the terrors of Doubting Castle, and to reach the land of Beulah, where the air was sweet and pleasant, and the birds sang and the flowers sprang up around him, and the Shining Ones walked in the brightness of the not distant Heaven. In the introductory pages he says ""he could have dipped into a style higher than this in which I have discoursed, and could have adorned all things more than here I have seemed to do; but I dared not. God did not play in tempting me; neither did I play when I sunk, as it were, into a bottomless pit, when the pangs of hell took hold on me; wherefore, I may not play in relating of them, but be plain and simple, and lay down the thing as it was.""

This book, as well as Pilgrim's Progress, was written in Bedford prison, and was designed especially for the comfort and edification of his ""children, whom God had counted him worthy to beget in faith by his ministry."" In his introduction he tells them, that, although taken from them, and tied up, ""sticking, as it were, between the teeth of the lions of the wilderness,"" he once again, as before, from the top of Shemer and Hermon, so now, from the lion's den and the mountain of leopards, would look after then with fatherly care and desires for their everlasting welfare. ""If,"" said he, ""you have sinned against light; if you are tempted to blaspheme; if you are drowned in despair; if you think God fight