The World We Found
A Novel
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- ¥1,400
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- ¥1,400
発行者による作品情報
“Stunning . . . . This is a novel that rewards reading, and even re-reading. The World We Found is a powerful meditation.” —Boston Globe
Thrity Umrigar, acclaimed author of The Space Between Us and The Weight of Heaven, returns with a breathtaking new novel—a skillfully wrought, emotionally resonant story of four women and the indelible friendship they share
As university students in late 1970s Bombay, Armaiti, Laleh, Kavita, and Nishta were inseparable. Spirited and unconventional, they challenged authority and fought for a better world. But over the past thirty years, the quartet has drifted apart, the day-to-day demands of work and family tempering the revolutionary fervor they once shared.
Then comes devastating news: Armaiti, who moved to America, is gravely ill and wants to see the old friends she left behind. For Laleh, reunion is a bittersweet reminder of unfulfilled dreams and unspoken guilt. For Kavita, it is an admission of forbidden passion. For Nishta, it is the promise of freedom from a bitter, fundamentalist husband. And for Armaiti, it is an act of acceptance, of letting go on her own terms.
The World We Found is a dazzling masterwork from the remarkable Thrity Umrigar, offering an unforgettable portrait of modern India while it explores the enduring bonds of friendship and the power of love to change lives.
PUBLISHERS WEEKLY
Umrigar (The Space Between Us) illustrates India's national identity crisis over the past 40 years through four friends who reconnect in this absorbing novel. Divorc e Armaiti is living in America with a daughter at Harvard when she's given six months to live. Her last wish is to see her three best friends again Laleh, Kavita, and Nishta, all in Bombay. In college, as idealistic Communists, they'd been inseparable, but now they're barely in touch. Kavita is a successful architect, Laleh a wife and mother, and none of them have heard from Nishta in years. When they finally find her beneath a burkha in a strict Muslim neighborhood, it becomes clear that Nishta's husband, Iqbal, a fellow university idealist turned fundamentalist, will be the biggest obstacle to fulfilling Armaiti's final desire. Umrigar is never shy in her portrayal of a divided India, deftly pinpointing major issues facing the country today and tracing them through a legacy of cultural death and rebirth. Armaiti's ruminations on unexpectedly encountering the end of one's life and Kavita's struggle to live openly as a lesbian despite supportive friends act as strong secondary narratives. Though none of the major story elements Umrigar employs are remotely fresh, her characters make this a rewarding novel.
