The Year She Left Us
A Novel
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- ¥1,500
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- ¥1,500
発行者による作品情報
Three generations of Chinese-American women in a San Francisco family must confront their past and carve out a future in this extraordinary novel, a “haunting” debut full of “shimmering and unforgettable” characters. (New York Times Book Review)
The Kong women are in crisis. A disastrous trip to visit her "home" orphanage in China has plunged eighteen-year-old Ari into a self-destructive spiral. Her adoptive mother, Charlie, a lawyer with a great heart, is desperate to keep her daughter safe. Meanwhile, Charlie must endure the prickly scrutiny of her beautiful, Bryn Mawr educated mother, Gran—who, as the daughter of a cultured Chinese doctor, came to America to survive Mao's Revolution—and her sister, Les, a brilliant judge with a penchant to rule over everyone's lives.
As they cope with Ari's journey of discovery and its aftermath, the Kong women will come face to face with the truths of their lives—four powerful intertwining stories of accomplishment, tenacity, secrets, loneliness, and love. Beautifully illuminating the bonds of family and blood, The Year She Left Us explores the promise and pain of adoption, the price of assimilation and achievement, the debt we owe to others, and what we owe ourselves.
PUBLISHERS WEEKLY
Ma's first novel is a sweeping success a standout from the many novels about Chinese assimilation and the families of Chinese immigrants with a fascinating protagonist with a troubling past. Ari, age 18, is one of the "lost daughters of China"; she's been brought to America by her single mom, Charlie. Ari is a "Whackadoodle," a member of a group of adopted Chinese girls in the San Francisco area, but unlike them, her mother and family are Chinese (most of the other girls are adopted by white families). While Ari looks like her new family, nothing else about her fits easily in place. Early on, the book hints at a trauma that later becomes visible when Ari's growing despair manifests itself as self-inflicted violence; her disconnection from herself is horrifying, especially since Ma implies that not all losses can be recovered. Meanwhile, the mistakes that haunt Charlie's mom and Ari's grandmother, Gran, are as affecting as those that haunt Ari; while Ari searches for value in her own life, Gran must make decisions with lasting repercussions, in addition the decisions of her past that continue to haunt her. As Gran says, "She has a future of mistakes ahead of her. I am old. My mistakes are all behind me." This is a family saga of insight, regret, and pathos, and it is not to be missed.
