Theory & Practice
A Novel
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- ¥2,200
発行者による作品情報
WINNER OF THE STELLA PRIZE
A New York Times Book Review Editors' Choice
A Washington Post Best Fiction Book of the Year
"Theory & Practice is a thrillingly original hybrid work that seeks truthful answers to the most difficult questions of the day—questions about the nature of love, art, and desire, about the thorny cultural legacy of colonialism and the unappeasable human yearning for connection." —Sigrid Nunez, author of The Vulnerables
A new novel of startling intelligence from prizewinning Australian author Michelle de Kretser, following a writer looking back on her young adulthood and grappling with what happens when life smashes through the boundaries of art
It’s 1986, and “beautiful, radical ideas” are in the air. The narrator of Theory & Practice, a young woman originally from Sri Lanka, arrives in Melbourne for graduate school to research the novels of Virginia Woolf. In the bohemian neighborhood of St. Kilda she meets artists, activists, students—and Kit. He claims to be in a “deconstructed relationship.” They become lovers, and the narrator’s feminism comes up against her jealousy. Meanwhile, an entry in Woolf’s diary upends what the narrator knows about her literary idol, and throws her own work into disarray.
What happens when our desires run contrary to our beliefs? What should we do when the failings of revered figures come to light? Who is shamed when the truth is told? Michelle de Kretser’s new novel offers a spellbinding meditation on the moral complexities that arise in the gap between our values and our lives.
PUBLISHERS WEEKLY
In this sharp-witted and mesmerizing outing from de Kretser (The Life to Come), a Melbourne graduate student navigates the disconnect between her feminist ideals and her messy love life. The unnamed narrator, who's writing a thesis about the portrayal of gender in Virginia Woolf's novels, recounts her childhood in Sri Lanka, where she was sexually abused by a British man at 11. She went on to embrace feminism, and she struggles now with French post-structuralist theory, which is in vogue on the Melbourne campus, because of its indifference to feminist issues and her desire to upend the patriarchy ("One could not overthrow the Father, who was always already dead, although his phallus was everywhere in society and culture"). She also ruminates on contemporary Australian films, such as Gillian Leahy's Life Without Steve, which follows a woman over one year as she attempts to move on from an affair. The film resonates with the narrator because of her own tortured love affair with a fellow student who remains committed to his girlfriend ("I thought, I didn't know that this could be art. It was the first time I'd seen my everyday, unglamorous world in a film"). The narrator also vacillates between prizing intellectual theorizing or direct action, reflecting on the anticolonial resistance of Ceylonese activist E.W. Perera. Taken together, the narrator's clever political insights and beautiful depictions of art and literature offer readers a view into a captivating mind. De Kretser is at the top of her game.
