Tied to the Tracks
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- ¥700
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- ¥700
発行者による作品情報
Angie Mangiamele runs a film company in Hoboken, New Jersey-a long way (in more ways than one) from Ogilvie, Georgia. But a new project has brought her to this small Southern town, where she stands out like a fire truck in a flower garden.
She's been invited to Ogilvie by Miss Zula Bragg, the intensely private literary legend who's agreed to appear in a documentary made by Angie's highly unconventional crew. And there's someone else in own Angie looks forward to seeing: John Grant, a descendant of Ogilvie's founders with whom she had a long-ago summer romance. But John's wedding-to the daughter of a prominent local family-is just days away, and promises to be the sleepy town's social event of the year.
What could possibly go right?
PUBLISHERS WEEKLY
Despite earnest attempts to tweak modern romance clich s, historical novelist Lippi (1999 Pen/Hemingway winner for Homestead) falls victim to the predictable plotting of contemporary chick lit in her first present-day excursion, a story of love in a small Southern town. When a struggling New Jersey film company, Tied to the Tracks, gets invited to Ogilvie, Ga., to make a documentary about renowned writer-in-residence Zula Bragg, Tied to the Tracks' owner, Angie Mangiamele, is thrilled to get the work but not so thrilled to see old flame John Grant, chair of Ogilvie College's English department. John is brilliant, handsome, well-connected and about to marry Caroline Rose, youngest daughter of a prominent local family. Angie and John, under the gaze of prying Ogilvie eyes, try, and fail, to convince themselves there is nothing left between them. The more interesting story of Zula's secret past plays second fiddle to the ho-hum reunion of the star-crossed lovers. Several amusing secondary characters, including Angie's wisecracking business partners and the oh-so-Southern Ogilvie denizens, add to the story's charm, but the novel makes no real emotional demands.
