Toxicology
A Novel
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- ¥1,100
発行者による作品情報
A bold new novel about the intersection of art, love, fame, and money from the acclaimed author of Dogeaters.
Jessica Hagedorn's edgy and entertaining new novel centers on the lives of two women who are neighbors in Manhattan's West Village. Mimi Smith is a filmmaker of low-budget slasher movies in search of new material. Her neighbor Eleanor Delacroix is a legendary writer of erotic fiction, now nearing eighty and addicted to cocaine and gin. Their personal and artistic lives begin to collide in unexpected ways as Eleanor grieves over the recent death of her live-in lover, the renowned painter Yvonne Wilder, and as Mimi deals with the challenges presented by her newly sober brother Carmelo; her drug-dealing boyfriend, who has mysteriously disappeared; and her wayward fourteen-year-old daughter, Violet. Looming over all these characters is the ghost of Agnes-an "illegal" and cousin of Mimi's who might have been murdered by her New Jersey employers. Toxicology is a dark yet playful exploration of money, desire, mortality, and the connection between creativity and self-destruction.
PUBLISHERS WEEKLY
Hagedorn's fiery latest (after Dogeaters) introduces Mimi Smith, whose notorious first film, Blood Wedding, an art-house gore-fest, garnered critical acclaim. But that was a few years ago, and thoroughly modern Mimi is "suffering from a twenty-first century affliction": she spends her days boozing and blowing through the money that's supposed to be funding her next film; her 14-year-old daughter, Violet, has decided to live with her father; and Mimi's distant cousin Agnes has disappeared after being brought to the U.S. from the Philippines to slave away for a New Jersey family who promised to get her a green card. The story's ignited by the death of Romeo Byron, a Heath Ledger figure, who overdoses in his East Village apartment. His death rattles Mimi enough to make her turn to her crotchety old neighbor, Eleanor Delacroix, the famous queen of "avant-garde lesbian feminist erotic literature," now a heavy drinker and a functioning cokehead, but nevertheless vibrant, megalomaniacal, hateful, and hilarious. As Mimi spirals downward, Eleanor tries to get it together to give a reading, only she can't actually write anything. A razor-sharp, refreshingly unsentimental portrayal of New York artists selfish, irresponsible, and brilliant and the evolution of feminism.
