Trinidad Noir
The Classics
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- ¥1,600
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- ¥1,600
発行者による作品情報
"To travel through the 19 works of poetry and prose in this remarkable anthology is to experience Trinidad and Tobago through a kaleidoscopic lens." —Publishers Weekly, starred review
Two of Trinidad's top writers masterfully curate this literary retrospective of the nation's best writing over the past century from authors who were largely part of the literary wave that swept in with Trinidadian Independence in 1962. Though Trinidad Noir: The Classics encompasses a variety of moods and themes, it winds up capturing the uniquely Trinidadian character. Influenced by the waning days of the colonial world—an era rife with crime, violence, enslavement, and indentureship—the selections highlight the often heroic individuals of the underclass.
In this anthology, you'll find reprints of classic stories and poems by C.L.R. James, Derek Walcott, Samuel Selvon, Eric Roach, V.S. Naipaul, Harold Sonny Ladoo, Michael Anthony, Willi Chen, Earl Lovelace, Robert Antoni, Elizabeth Nunez, Ismith Khan, Lawrence Scott, Wayne Brown, Jennifer Rahim, Elizabeth Walcott-Hackshaw, Sharon Millar, Barbara Jenkins, and Shani Mootoo.
"Lovelace and Antoni offer a 'subversive' take on island culture . . . Whether history repeats itself or progress is stalled by people's infinite capacity to get in their own ways, these 19 reprinted tales offer a bittersweet perspective on the cussedness of human nature." —Kirkus Reviews
"Holds strong appeal for fans of noir and literary writing." —Library Journal
PUBLISHERS WEEKLY
To travel through the 19 works of poetry and prose in this remarkable anthology is to experience Trinidad and Tobago through a kaleidoscopic lens. The writings are grouped into four historically significant periods ("Leaving Colonialism," "Facing Independence," "Looking In," and "Losing Control"). It's an effective construct; the reader experiences island culture and history as a part of its time, formed by a pastiche of nationality, culture, and social class. Standouts abound. The central character in V.S. Naipul's "Man-man" is a reputedly mad man in a community whose reactions to him move between bemused and violent. Harold Sonny Ladoo tells, in "The Quiet Peasant," of an impoverished farmer who unwittingly digs his own grave. An island lilt and sharp humor spice Robert Antoni's "Hindsight," about a doctor confronting a singular medical condition. This is not a noir collection in the traditional crime-based sense. Instead, as noted in the introduction, the selections "direct attention to the violence of a society that has not quite settled accounts with the casualties of enslavement and indentureship."
