Two Trains Running
A Novel
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- ¥850
発行者による作品情報
In his most original and compelling book yet, Andrew Vachss presents an electrifying tale of corruption in a devastated mill town. It is 1959--a moment in history when the clandestine, powerful forces that will shape America to the present day are about to collide.Walker Dett is a hired gun, known for using the most extreme measures to accomplish his missions. Royal Beaumont is the "hillbilly boss" who turned Locke City from a dying town into a thriving vice capital. But organized crime outsiders are moving in on Beaumont's turf, so he reaches out for Dett in a high-risk move to maintain his power at all costs. Add a rival Irish political machine, a deeply entrenched neo-Nazi "party", the nascent black power movement, turf-disputing juvenile gangs, a muck-raking journalist who doubles as a blackmailer, the FBI--a covert observer and occasional participant which may itself be under surveillance-- and Locke City is about as stable as a nitroglycerin truck stalled on the railroad tracks.
PUBLISHERS WEEKLY
Vachss's latest, set in 1959, leaves recurring character Burke behind to explore the teeming, clannish, race-driven underside of American politics. The Southern town of Locke City, at the mountainous foot of the rust belt, has become the vice-driven fief of one Royal Beaumont, a wheelchair-bound "hillbilly" who indulges in casual incest and rules the town by force. When the New York mafia tries to cut in on the action, Beaumont fights back, determined to protect his stake and the town's racial composition, especially with a stealthy local black militant cell gaining in strength. Michael Shalare's Irish mob arrives and proposes a truce on the grounds that once "our man" Kennedy gets in, the Italians will be "told" to leave, and racial as well as monetary order will be preserved. The book is broken by episodic bursts of dialogue with time-stamp headings ("1959 October 04 Sunday 20:46"); the dialogue itself doesn't feel differentiated enough from tough guy to tough guy, and smacks of faux periodisms. Some of what Greil Marcus called the "old, weird America" surfaces, but any scene with a woman in it yields awkward results. The pace is good and the plot is riveting, though the telescoped sociopolitics feel rigged from the start, as does a bloody climax. 15-city author tour. (On sale June 14)
