Unreasonable Behaviour
An Autobiography
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- ¥1,400
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- ¥1,400
発行者による作品情報
'He has known all forms of fear, he's an expert in it. He has come back from God knows how many brinks, all different. His experience in a Ugandan prison alone would be enough to unhinge another man - like myself, as a matter of fact - for good. He has been forfeit more times than he can remember, he says. But he is not bragging. Talking this way about death and risk, he seems to be implying quite consciously that by testing his luck each time, he is testing his Maker's indulgence' - John le Carre
'McCullin is required reading if you want to know what real journalism is all about' - The Times
'From the opening...there is hardly a dull sentence: his prose is so lively and uninhibited... An excellent book' - Sunday Telegraph
'Unsparing reminiscences that effectively combine the bittersweet life of a world-class photojournalist with a generous selection of his haunting lifework... A genuinely affecting memoir that reckons the cost and loss involved in making one's way on the cutting edge of conflict' - Kirkus Reviews
'If this was just a book of McCullin's war photographs it would be valuable enough. But it is much more' - Sunday Correspondent
PUBLISHERS WEEKLY
Legendary British photojournalist McCullin ( Hearts of Darkness ; Beirut: A City in Crisis ) has captured the essence of war on film in the Congo, Biafra, Vietnam, Cambodia and Afghanistan. His engrossing autobiography includes 94 examples of his powerful images. Typical of his compassionate yet unsparing work are photographs of a Biafran officer lecturing one of his dead soldiers and of an inmate in a Beirut insane asylum carrying a handicapped child to safety. Aided by freelance writer Chester, McCullin recreates his childhood in London's mean streets and tells us how he got his first assignment. The majority of the book, however, evokes the sad, grim and ghastly moments he brought into focus through his viewfinder and the heavy personal price he paid for those pictures: malaria, broken bones, shrapnel wounds, death threats and a traumatic stint in Idi Ami's most sinister prison. Neither sentimentality, self-pity nor self-congratulation soften the harrowing story of McCullin's quest for the perfect war picture. ( Feb. )
