Venetian Stories
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- ¥1,400
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- ¥1,400
発行者による作品情報
In these brilliantly realized, linked tales, the real Venice is revealed – not the iconic tourist destination the city has become, but the mysterious society that resides behind its elegant doors and shuttered windows. With a sly and affectionate delicacy, Jane Turner Rylands, an American expatriate who has lived in Venice for thirty years, portrays a dozen Venetians– a construction foreman, a countess, a gondolier, a postman, an architect, a Baronessa, an English lord – as they pursue their respective interests. And in turn, through the perspective of those who live and work in this most alluring of cities, Venetian Stories illuminates canals and palazzos, churches and gondolas, large concerns and small rituals, with an uncommon intimacy.
PUBLISHERS WEEKLY
Everything is connected in this clever book of 12 linked stories: islands, people, whole intersecting cultures. An oil can chucked into a canal on page eight whizzes past an ear on page 148, and some of that same oil starts a fire in the last story. Rocco, a Venetian construction foreman in "Mason," thinks of his city as a place whose various parts are connected not only by bridges but by "people at windows looking across canals straight into each other's houses...." One thing bridges to the next; there are no degrees of separation. Yet each of Rylands's dozen stories is fully realized, with its own pace, vocabulary and emotional pitch, the tone of each reflecting the character on center stage: "Postman," "Architect," "Collector," "Contessa," "Mother." The stories break down Venice's famous social barriers by making the reader intimate, for a moment, with the full array of humanity in the enchanted city. Rylands is an Ohio native who has lived in Venice for 30 years and is married to the director of the Peggy Guggenheim Collection. She is perhaps best at describing American and English travelers and transplants. "Visitor," for instance, takes the reader straight inside the word-obsessed brain of Charles Smithers, who can't stop punning, making lists, cleverly arranging quotations; he doesn't speak so much as recite dialogue. Rylands's intricately worked mosaic will please anyone heading to Venice or dreaming of the next visit.
