Vigil
From the Booker Prize-winning author of 'Lincoln in the Bardo'
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- ¥2,600
発行者による作品情報
**THE INSTANT SUNDAY TIMES AND NEW YORK TIMES BESTSELLER**
'The first must-read book of the year' Vogue
'Resonates deeply in our fractious, selfish age' Independent
'One of America's most distinguished and original writers' Spectator
Order the latest book from the Booker Prize–winning author of Lincoln in the Bardo – a playful, wise, electric novel taking place at the bedside of an oil company CEO, in the twilight hours of his life, as he is ferried from this world into the next
What a lovely home I found myself plummeting toward. . .
Not for the first time – in fact, for the 343rd time – Jill 'Doll' Blaine finds herself crashing down to earth, head-first, rear-up, to accompany her latest charge into the afterlife. She soon realises however that this man is not quite like the others.
For powerful oil tycoon K.J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold life, and the world is better for it… isn't it?
As death approaches, a cast of worldly and otherworldly visitors arrive. Crowds of people and animals – alive and dead – materialise, birds swarm the dying man's room, and associates from decades past show up, all clamouring for a reckoning.
In this electric novel brimming with explosive imagination, George Saunders confronts the biggest issues of our time with his trademark humour and warmth, spinning a tale that encompasses life and death, good and evil, and the inevitable question: who else could we be but exactly who we are?
Vigil was no. 10 in the Sunday Times Hardback Fiction chart and no. 1 in the New York Times Hardcover Fiction chart, w/e 1 February
PUBLISHERS WEEKLY
A ghost attempts to guide an unrepentant oil executive toward redemption and the afterlife in the staggering latest from Saunders (Lincoln in the Bardo). The story takes place over the course of one night, when the spirit of Jill Blaine descends to Earth and takes on human form at the home of K.J. Boone, her latest "charge." As opposed to the hundreds of others Jill has visited at the end of their days, the terminally ill Boone is uninterested in finding peace or reckoning with his misdeeds. Instead, he revels in his accomplishments, taking credit for the U.S.'s decision to abandon the Kyoto Protocol, which one of his lobbyists ridiculed as the "Intergovernmental Panel on Climate Crap" for "greenies with hostile agendas." A fiery French colleague of Jill's shows up to help, repeatedly crying "Quelle horreur!" as he tries to convince Boone of the devastating effects of climate change by showing him specimens of endangered bird species felled by wildfire smoke. Alone with Jill, Boone recalls his childhood, his experiences as a "Wyoming hick" at college in Michigan, and his defiant rise to power, during which he came to be unfairly seen, in his view, as "the villain... the principal baddy." What emerges is not a simple story of redemption, though. As more of Boone's transgressions are revealed, Jill decides she hates him, and the novel barrels into gleefully absurd territory while posing weighty questions about salvation and justice and whether they're even feasible. Saunders has outdone himself with this endlessly irreverent work of art.
