Warhol
A Life as Art
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- ¥1,600
発行者による作品情報
"Superb...Gopnik persuasively assembles his case over the course of this mesmerising book, which is as much art history and philosophy as it is biography" Kathryn Hughes, The Guardian
When critics attacked Andy Warhol's Marilyn paintings as shallow, the Pop artist was happy to present himself as shallower still: He claimed that he silkscreened to avoid the hard work of painting, although he was actually a meticulous workaholic; in interviews he presented himself as a silly naïf when in private he was the canniest of sophisticates. Blake Gopnik's definitive biography digs deep into the contradictions and radical genius that led Andy Warhol to revolutionise our cultural world.
Based on years of archival research and on interviews with hundreds of Warhol's surviving friends, lovers and enemies, Warhol traces the artist's path from his origins as the impoverished son of Eastern European immigrants in 1930s Pittsburgh, through his early success as a commercial illustrator and his groundbreaking pivot into fine art, to the society portraiture and popular celebrity of the '70s and '80s, as he reflected and responded to the changing dynamics of commerce and culture.
Warhol sought out all the most glamorous figures of his times - Susan Sontag, Mick Jagger, the Barons de Rothschild - despite being burdened with an almost crippling shyness. Behind the public glitter of the artist's Factory, with its superstars, drag queens and socialites, there was a man who lived with his mother for much of his life and guarded the privacy of his home. He overcame the vicious homophobia of his youth to become a symbol of gay achievement, while always seeking the pleasures of traditional romance and coupledom. (Warhol explodes the myth of his asexuality.)
Filled with new insights into the artist's work and personality, Warhol asks: Was he a joke or a genius, a radical or a social climber? As Warhol himself would have answered: Yes.
PUBLISHERS WEEKLY
Art, commerce, homosexual camp, and the 1960s counterculture were all blithely blenderized by one man's genius, according to this sweeping biography of pop art master Andy Warhol. Art critic and New York Times contributor Gopnik dives deep into Warhol's oeuvre, from the famous pieces that mirrored mass-produced imagery paintings of Campbell Soup cans and Brillo boxes, screen prints of celebrities including Marilyn Monroe and his semiprurient, militantly unwatchable avant-garde films (Sleep comprised five hours of footage of a naked man sleeping) to his late urine-on-canvas phase. But Warhol's greatest image was himself, and Gopnik's fascinating narrative does full justice to the silver-wigged, pixie-ish, satirically vapid provocateur ("verybody's plastic but I love plastic," he pronounced during a Hollywood sojourn) and to the maelstrom of drugs, partying, and crazed excess at the Factory, his New York studio-cum-asylum for artsy eccentrics. One of them, Valerie Solanas, founder of the Society for Cutting Up Men, shot and gravely wounded Warhol and then asked him to pay her legal bills. Gopnik's exhaustive but stylishly written and entertaining account is Warholian in the best sense raptly engaged, colorful, open-minded, and slyly ironic. ("He had become his own Duchampian urinal, worth looking at only because the artist in him had said he was.") Warhol fans and pop art enthusiasts alike will find this an endlessly engrossing portrait. Photos.
