Washington Black
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- ¥1,900
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- ¥1,900
発行者による作品情報
Wanneer Washington Black, een elfjarige slaaf op een suikerplantage in Barbados, de persoonlijke bediende van de excentrieke Titch Wilde wordt, krijgt hij de kans op een nieuw leven. Titch is bioloog, ontdekkingsreiziger en uitvinder, geobsedeerd door zijn creatie: de heteluchtballon. Maar de dood van een familielid vermorzelt zijn idealistische plannen en Washington komt in gevaar. Ze besluiten te vluchten, maar dan verdwijnt Titch. Washington moet zijn weg alleen zien te vinden, op zoek naar echte vrijheid.
Edugyan neemt je mee op een ongelooflijk avontuur, van de zengende rietsuikervelden van Barbados tot de ijzige woestenij van het Canadese Noorden, in haar bijzondere roman over identiteit, vrijheid, liefde en verlossing.
PUBLISHERS WEEKLY
Edugyan's magnificent third novel (after Half-Blood Blues) again demonstrates her range and gifts. Eleven-year-old slave George Washington Black cuts sugar cane on a Barbados plantation owned by a sadistic Englishman named Erasmus Wilde until Wilde's scientist brother, Titch, visits in 1830 to work on the experimental airship he calls Cloud-cutter. Titch makes Wash his servant because the boy's weight makes suitable ballast for Cloud-cutter, teaches Wash to read, and nurtures his gift for scientific thought and illustration. As Wash is transformed and confused by Titch's tutelage, Erasmus becomes increasingly punitive toward him. Titch, afraid for his prot g 's life, devises a risky nighttime escape on Cloud-cutter, which collides with the masts of a ship bound for Virginia. After arriving there, the two head northward, getting as far as the Arctic before Titch, insisting that Wash stay behind, strikes out into the snow for reasons Wash cannot understand. Not knowing whether Titch is alive or dead, Wash continues his travels and scientific work. But he feels compelled to find out Titch's fate and learn why his mentor rejected him. Framing the story with rich evocations of the era's science and the world it studies, Edugyan mines the tensions between individual goodwill and systemic oppression, belonging and exclusion, wonder and terror, and human and natural order. The novel's patience feels essential: the characters' many passages from painful endings to tentative rebirths are necessarily slow and searching. Crafted in supple, nuanced prose, Edugyan's novel is both searing and beautiful.
