Weird Black Girls
Stories
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- ¥1,800
発行者による作品情報
Finalist for the Locus Award
Belletrist Book Club Pick
From Philip K. Dick Award finalist Elwin Cotman, an irresistibly unnerving collection of stories that explore the anxieties of living while Black—a high-wire act of literary-fantastical hybrid fiction.
A rural town finds itself under the authoritarian sway of a tree that punishes children. A pair of old friends navigate their fraught history as strange happenings escalate in a Mexican restaurant. A pair of narcissistic friends wreak havoc on an activist community. An aloof young man finds himself living through his lover’s memories. And a day of LARPing takes a cosmic turn.
In each of the seven stories in this collection, characters pursue their obsessions on paths to glory and destruction while around them their worlds twist and warp, oscillating between reality and impossibility. On display throughout is Cotman’s ability to reveal truths about the human experience—about friendship, love, betrayal, bitterness—through whimsy, horror, and fantasy. Elegiac in tone, imaginative and humorous in their execution, the character-driven stories in Weird Black Girls challenge, incite, and entertain.
PUBLISHERS WEEKLY
Cotman (Dance on Saturday) utilizes magical conceits and pop culture references to probe America's legacy of racism in this striking collection. In "The Switchin' Tree," set in the 1950s, a young Black boy named Jesse walks along the highway, eliciting racial slurs from white motorists. After the boy returns home, his drunken father says he's going to beat Jesse for wandering off, then hears a voice from a tree, and tells the tree he's trying to protect his son from the white lynch mobs he remembers from his own childhood. "Owen," set in the late 1990s, also deals with corporal punishment but affects a quirky vibe. In it, a Black father drives to his ex-wife's home to punish his "weird" 11-year-old son, Teddy, after learning from his ex that Teddy shoved his younger sister for teasing him about his adoration for a white pro wrestler who'd recently died in the ring. In the title story, the narrator chafes at his girlfriend's confession that she decided to date him because he reminds her of Malik, a Black cast member of the Real World ("I know I have an afro, but I'm not some hippie"). The distinctive and troubled characters make these stories stand out. Cotman's versatile talents are on full display.
