Welcome to Lagos
A Novel
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- ¥2,000
発行者による作品情報
“Storylines and twists abound. But action is secondary to atmosphere: Onuzo excels at evoking a stratified city, where society weddings feature ‘ice sculptures as cold as the unmarried belles’ and thugs write tidy receipts for kickbacks extorted from homeless travelers.” —The New Yorker
When army officer Chike Ameobi is ordered to kill innocent civilians, he knows it is time to desert his post. As he travels toward Lagos with Yemi, his junior officer, and into the heart of a political scandal involving Nigeria’s education minister, Chike becomes the leader of a new platoon, a band of runaways who share his desire for a different kind of life. Among them is Fineboy, a fighter with a rebel group, desperate to pursue his dream of becoming a radio DJ; Isoken, a 16–year–old girl whose father is thought to have been killed by rebels; and the beautiful Oma, escaping a wealthy, abusive husband.
Full of humor and heart, Welcome to Lagos is a high–spirited novel about aspirations and escape, innocence and corruption. It offers a provocative portrait of contemporary Nigeria that marks the arrival in the United States of an extraordinary young writer.
PUBLISHERS WEEKLY
In her winning U.S. debut, Onuzo anatomizes a tumultuous city and its inhabitants, from street hustlers to well-connected government ministers. Seeking refuge in the metropolis for various reasons, several Nigerian travelers group up en route to Lagos, including morally upright army deserter Chike; swaggering teenage militant Fineboy; well-to-do Oma, who is fleeing her abusive husband; and a precocious but traumatized girl, Isoken. These characters form a family of sorts as they are welcomed to Lagos coolly, obliged to live in a homeless encampment before settling in an unoccupied house. There they encounter someone desperately trying to leave Lagos: an education minister who has gone into hiding with $10 million meant for Nigeria's schools. What to do with the minister, and more important, with his money? Onuzo's representation of Lagos as "a carnivore of a city that swallowed even bones" is often unromantic, but she also criticizes how the city is represented, or misrepresented, by Westerners: "Scandal, murder, intrigue. Quintessential African politics," thinks one BBC correspondent covering the minister's story. Onuzo's briskly plotted novel is a rewarding exploration of the limits of idealism and transparency against widespread cynicism and corruption.
