Who Is That Man?
In Search of the Real Bob Dylan
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- ¥1,200
発行者による作品情報
Now in paperback and with a new foreword, a kaleidoscopic look at the many faces of Bob Dylan, legendary folk singer-songwriter and winner of the 2016 Nobel Prize in Literature.
For almost half a century, Bob Dylan has been a primary catalyst in rock's shifting sensibilities. Few American artists are as important, beloved, and endlessly examined, yet he remains something of an enigma. Who, we ask, is the "real" Bob Dylan? Is he Bobby Zimmerman, yearning to escape Hibbing, Minnesota, or the Woody Guthrie wannabe playing Greenwich Village haunts? Folk Messiah, Born-Again Bob, Late-Elvis Dylan, Jack Fate, or Living National Treasure? In Who Is That Man? David Dalton--cultural historian, journalist, screenwriter, and novelist--paints a revealing portrait of the rock icon, ingeniously exposing the three-card monte games he plays with his persona.
Guided by Dalton's cutting-edge insights and myth-debunking point of view, Who Is That Man? follows Dylan's imaginative life, integrating actual events with Dylan's words and those of the people who know him most intimately. Drawing upon Dylan's friends and fellow eyewitnesses--including Marianne Faithfull, Allen Ginsberg, Peter Stampfel , Larry "Ratso" Sloman, Eric Andersen, Nat Hentoff, Andrew Oldham, Nat Finkelstein, and others--this book will provide a new perspective on the man, the myth, and the musical era that forged them both.
PUBLISHERS WEEKLY
Bob Dylan's life and legacy have received plenty of coverage, but few biographers have had the insight and writing chops of Dalton (Get Back), a founding editor of Rolling Stone who is at the peak of his powers in this engaging examination of Dylan's ever-changing persona. Though he hits the obligatory career highlights (e.g., Dylan's quick assimilation into the New York City folk scene, his electric set at Newport, the motorcycle accident that supposedly almost cost him his life, etc.), it's Dalton's keen observations of Dylan's chameleon-like qualities that make this study such addictive reading. Fully aware of the power of the public image, Dylan carefully cultivated his influences from the beginning (many of which he would adopt outright, such as that of Woody Guthrie), skillfully crafting an image of a larger-than-life folk messiah that eventually morphed into a grumpy, hoodie-wearing recluse, and back into a formidable presence in the music world. Dalton is at his best when he's examining Dylan from a thousand feet; his retrospective audit of the artist's early years and his career path are spot-on and full of critical insight. He artfully dances between fan and critic, fully admiring Dylan's work and putting it into a cultural perspective, while remaining somewhat awestruck by the artist's talent and creativity. This approach would have crumbled in lesser hands, but Dalton does a stunningly good job.
