Wildcat Dome
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- ¥1,400
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- ¥1,400
発行者による作品情報
An epic novel of postwar, nuclear-age Japan, by the author of Territory of Light
Mitch and Yonko haven’t spoken in a year. As children, they were inseparable, raised together in an orphanage outside Tokyo—but ever since the sudden death of Mitch’s brother, they’ve been mourning in their private ways, worlds apart. In the aftermath of the Fukushima nuclear catastrophe, they choose to reunite, finding each other in a city undone by disaster.
Mitch and Yonko have drifted apart, but they will always be bound together. Because long ago they witnessed an unspeakable tragedy, a tragedy that they’ve kept secret for their entire lives. They never speak of it, but it’s all around them. Like history, it repeats itself.
Yuko Tsushima’s sweeping and consuming novel is a metaphysical saga of postwar Japan. Wildcat Dome is a hugely ambitious exploration of denial, of the ways in which countries and their citizens avoid telling the truth—a tale of guilt, loss, and inevitable reckoning.
'Tsushima evades any label, her fiction transcends gender to focus on the existential loneliness that is at the heart of humanity.' Japan Times
PUBLISHERS WEEKLY
Originally published in 2013, this impressionistic if baffling story of three childhood friends by Tsushima (Territory of Light), who died in 2016, spans from Japan's post-WWII occupation by the Allies to the Fukushima nuclear accident. Mitch and Kazu were adopted together from an orphanage for the mixed-race children of American GIs. When they're eight, they and their playmate Yonko witness the drowning death of another girl from the orphanage, but their memories of exactly what they saw, and whether a neighborhood boy named Tabo pushed the girl into the water, are blurry. As they grow up, Mitch, Kazu, and Yonko forge their own paths, but they reunite decades later after learning of a series of unsolved murders. Since the victims were all wearing orange, the same color worn by the girl who drowned when they were children, the trio suspect Tabo is the killer, and the novel climaxes with their visit to Tabo's mother. Along the way, Tsushima jumps through time to jarring effect, as when she flashes forward to Kazu's death from a fall. Composed of awkwardly fitting parts and puzzling tangents, such as Mitch's vision of radioactive jelly after the Fukushima disaster, the narrative fails to cohere into a unified whole. Readers will have a tough time with this one.
