Willoughby's Return
A Tale of Almost Irresistible Temptation
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- ¥2,000
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- ¥2,000
発行者による作品情報
A lost love returns, rekindling forgotten passions...
In Jane Austen's Sense and Sensibility, when Marianne Dashwood marries Colonel Brandon, she puts her heartbreak over dashing scoundrel John Willoughby in the past.
Three years later, Willoughby's return throws Marianne into a tizzy of painful memories and exquisite feelings of uncertainty. Willoughby is as charming, as roguish, and as much in love with her as ever. And the timing couldn't be worse—with Colonel Brandon away and Willoughby determined to win her back, will Marianne find the strength to save her marriage, or will the temptation of a previous love be too powerful to resist?
Praise for Lydia Bennet's Story:
"A breathtaking Regency romp!"—Diana Birchall, author of Mrs. Darcy's Dilemma
"An absolute delight to read."—Historical Novels Review
"Odiwe emulates Austen's famous wit, and manages to give Lydia a happily-ever-after ending worthy of any Regency romance heroine."—Booklist
"Odiwe pays nice homage to Austen's stylings and endears the reader to the formerly secondary character, spoiled and impulsive Lydia Bennet."—Publisher's Weekly
"Rollicking good fun with a surprise twist."—Austenprose
PUBLISHERS WEEKLY
Odiwe's sequel to Sense and Sensibility is best at recalling Austen's descriptive abilities, but falls short in its treatment of Austen's beloved characters. Three years after Marianne and Col. William Brandon get married, they're still unable to discuss two critical and intertwined issues: namely, that Marianne feels jealous of William's ward, Eliza, the illegitimate daughter of his first love; and the reappearance of Eliza's father, John Willoughby, who was once Marianne's love. Matters are complicated by the growing affection between Marianne's sister, Margaret, and William's nephew Henry, a developing relationship that serves as a stand-in for the original book's. As their unshared feelings fester, distance grows between Marianne and William; Odiwe nods occasionally to the inequality between marriage partners, which allows the man to carry on much as he did prior to marriage, an issue that Austen herself would likely tackle; unfortunately, it's hard to maintain suspense when the central plot conflict can be cleared up with a five-minute conversation.
