Yellowface
A Novel
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- ¥1,500
発行者による作品情報
INSTANT NEW YORK TIMES BESTSELLER • A REESE'S BOOK CLUB PICK
“Hard to put down, harder to forget.” — Stephen King, #1 New York Times bestselling author
White lies. Dark humor. Deadly consequences… Bestselling sensation Juniper Song is not who she says she is, she didn’t write the book she claims she wrote, and she is most certainly not Asian American—in this chilling and hilariously cutting novel from R.F. Kuang, the #1 New York Times bestselling author of Babel.
Authors June Hayward and Athena Liu were supposed to be twin rising stars. But Athena’s a literary darling. June Hayward is literally nobody. Who wants stories about basic white girls, June thinks.
So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers during World War I.
So what if June edits Athena’s novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song—complete with an ambiguously ethnic author photo? Doesn’t this piece of history deserve to be told, whoever the teller? That’s what June claims, and the New York Times bestseller list seems to agree.
But June can’t get away from Athena’s shadow, and emerging evidence threatens to bring June’s (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves.
With its totally immersive first-person voice, Yellowface grapples with questions of diversity, racism, and cultural appropriation, as well as the terrifying alienation of social media. R.F. Kuang’s novel is timely, razor-sharp, and eminently readable.
PUBLISHERS WEEKLY
A struggling novelist passes off a manuscript left by her dead college friend in this excellent satire from Kuang (Babel, or the Necessity of Violence). Athena Liu, who is Chinese American, dies accidentally by choking at her Washington, D.C., apartment while celebrating a movie deal for one of her novels. At the celebration is June Hayward, who met Athena when they were at Yale together, and whose own career has stalled after her publisher folded. Since then, while watching Athena's meteoric rise, she came to find her old friend "unbearable." In the commotion after Athena's death, June, who is white, pilfers a manuscript from her desk. Titled The Last Front, it's a historical novel about the role of Chinese laborers in WWI. After June gets a six-figure deal for it, she excises slurs used against Chinese laborers and adds a love story between a white woman and a Chinese soldier. Against objections from Candice Lee, a Korean American editorial assistant, the book goes to market, where it climbs up the bestseller list and attracts a vociferous backlash from the AAPI community, plus a scathing review from a prominent critic, who calls it a "white redemption" narrative. June grows increasingly anxious as she's accused online by @AthenaLiusGhost of stealing Athena's work, then starts thinking she's seeing Athena at readings and around town. Kuang provides a sharp analysis of publishing's blind spots and guides the plot toward a thrilling face-off between June and Athena's "ghost." This is not to be missed.
